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Paul W. Schwartz

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Two Masters

By Paul W. Schwartz  • 

Several weeks ago Picasso phoned his dealer Kahnweiller in a state of great excitement. He called to say he had


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Two Modes

By Paul W. Schwartz  • 

It has long been a tacit assumption of German scholarship that if something can be defined, it must therefore exist.


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Picasso: The Bathers

By Paul W. Schwartz  • 

At the age of seventy-eight the Maestro is not yet finished with concocting enigmas. For the past six decades we


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Bloom and Levine

By Paul W. Schwartz  • 

In that shattering, synthetic stillness which is Lamont, a moment of warmth has come to pass. Two of Boston's favorite


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Student Collectors

By Paul W. Schwartz  • 

There are probably almost as many reasons for collecting works of art as there are for producing them in the


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Warren House

By Paul W. Schwartz  • 

There are certain personalities in this world who are blessed with a special knack for shedding the prosaic and attracting


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Yoshiaki Shimizu

By Paul W. Schwartz  • 

There are two exhibitions in Cambridge this month which are totally independent of each other but which invite comparison. One


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Maillol

By Paul W. Schwartz  • 

It seems strange that one's image of Aristide Maillol is that of an elderly man, of the master of Banyuls-sur-Mer


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Primitive Art

By Paul W. Schwartz  • 

It has been a long time since the first startling wave of African art made its way to Europe and


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Lyonel Feininger

By Paul W. Schwartz  • 

"Free man, you shall always love the sea," wrote Baudelaire. And it was the sea which animated the hand of

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