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Robert G. Kopelson

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Mozart-Levin

By Robert G. Kopelson  • 

W OLFGANG Amadeus Mozart is history's most famous child prodigy. A virtuoso clavierist and a more than competent organist and


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Buswell and Valenti

By Robert G. Kopelson  • 

C ONCERTS in the Houses are generally notable for their charm and enthusiasm rather than their professional polish. Every once


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The Fairy Queen

By Robert G. Kopelson  • 

T HIS month marks the 276th anniyersary of the first performance of The Fairy Queen before the London rabble. Only


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Carlotta Wilsen

By Robert G. Kopelson  • 

P HYSICALLY, Carlotta Wilsen is a performer difficult to miss. Her brilliant red hair, and chiselled Nordic-Gaelic features, combined with


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Yale Russian Chorus

By Robert G. Kopelson  • 

S ATURDAY night 40-odd students, faculty and alumni of Yale sang of God, war, the Russian land, and love. The


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The Cantata Singers

By Robert G. Kopelson  • 

L EON Kirchner is the Renaissance man of the Music Department. Pianist, teacher, composer, conductor, he seems to be in


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Yannatos' Swan Song

By Robert G. Kopelson  • 

In an uncanny way this phrase from Mahler's Das Lied von der Erde epitomizes my exact sentiments as I left


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Harvard Band and Wind Ensemble

By Robert G. Kopelson  • 

The Harvard Band, like 1066, is a Good Thing. At halftime it runs all over the football field sparking otherwise


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Bach Society Orchestra

By Robert G. Kopelson  • 

This was the concert the Harvard musical world has been waiting for. More than that of the Glee Club or


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Harvard, Princeton Glee Clubs

By Robert G. Kopelson  • 

The tenors of Princeton and Harvard traded high B-flats and harmonized with a police siren last night in the annual

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