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Scott A. Rosenberg

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Cover image for ART in Retrospect:  Textual Ethics
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ART in Retrospect: Textual Ethics

By Scott A. Rosenberg  • 

I N HIS LATEST BOOK, Making Scenes. Robert S. Brustein, director of the American Repertory Theater (ART), describes how he


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The Trouble of Being Born

By Scott A. Rosenberg  • 

B EAUMARCHAIS plotted his Figaro as a maze of sexual conflict, class warfare and social satire. For those traveling this


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Where Politics and Emotion Meet

By Scott A. Rosenberg  • 

A T THE BEGINNING of Talley's Folly, it looks like Lanford Wilson has set out to illustrate a most commonplace


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Singspiel in the Subway

By Scott A. Rosenberg  • 

M OZART'S MAGIC FLUTE , that innocently expansive, made-up fairy tale cut with slices of Masonic mysticism, is probably the


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City of Blight

By Scott A. Rosenberg  • 

I N Atlantic City, the East Coast's first legalized gambling paradise takes form on screen as a sore on the


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The Real Issue

By Scott A. Rosenberg  • 

W E ARE in fundamental agreement with the majority--the military draft is unnecessary, and more importantly counterproductive, a display of


Cover image for The Roar of the Greasepaint
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The Roar of the Greasepaint

By Scott A. Rosenberg  • 

The Pudding Hasty Pudding: a mixture of corn meal mush, spiced with salt, and served steaming with milk and molasses.


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A Statutory Drama

By Scott A. Rosenberg  • 

L OLITA HAS BECOME a sort of under-aged siren for the creators of stage and screen, luring writers and directors


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No 'Harumphs'

By Scott A. Rosenberg  • 

L EE BREUER is directing a rehearsal for the American Repertory Theater production of Lulu . It is less than


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Brecht in Boldface

By Scott A. Rosenberg  • 

P RESENTING a show with the full title The Seven Deadly Sins of the Lower Middle Class to a Cambridge/Loeb

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