Charles F. Sabel

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Alan Heimert: The 'Idea' at Eliot House

A LAN HEIMERT is everything he is incidentally, in his spare time and a bit against his better judgment. At


The Gilbert and Sullivan Players have mounted a thoroughly banal version of Ruddigore at the Agassiz. That the show is

Women Beware Women

L AURENCE SENELICK'S production of Women Beware Women is as fluid and incisive as the history of his work suggests

Princess Ida

Princess Ida is typical Gilbert and Sullivan, stereotypical in fact. After the play opened at the Savoy in 1884, Sullivan

The Master Builder

Somewhere in the commodious vaults where dwell the souls of playwrights dead and gone. Two figures, faces wreathed in mist,

The Concept of Ideology

G EORGE Lichtheim has collected a number of his essays and reviews, composed over the last four years for various


Like previous numbers, the current issue of Mosaic is as professional as anything produced by undergraduates at Harvard. My only

Toys in the Attic

Leland Moss's production of Toys in the Attic is a willful distortion of a medicore play. But by the mysterious


The advance notices were not misleading. The production of Patience which opened at Agassiz last night is an uninterrupted delectation