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David B. Edelstein

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Cowardly Trilogy

By David B. Edelstein  • 

N O MATTER WHAT the American Premier Stage dished out in its first two programs. I was prepared to be


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Sir Roy Bankrolls the Arts or Why Britishers Saw Nicholas Nickleby for $8

By David B. Edelstein  • 

C RITICS CHARGE THAT government subsidies for the arts in this country are laughable beside Great Britain's--and laughably administered. And,


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'The Pity of It,' Iago

By David B. Edelstein  • 

A NYONE CLAMORING for more "traditional Shakespeare after all the radical artsy-fartsiness in these part should zip over to the


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Predictable Pratfalls

By David B. Edelstein  • 

S LAPSTICK JUST DOESN'T WORK unless it's performed by people who can make you believe they are in continuous conflict


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Something of a Middlebrow

By David B. Edelstein  • 

I T IS A GARISH, cosmic nightclub, the figures on the floor drug-addled, lobotomized, throwing each other over, punching each


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Aladdinescence

By David B. Edelstein  • 

W ORD GOT AROUND last week after Aladdin 's messy opening night that the show resembled a high school pageant,


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By Indirection

By David B. Edelstein  • 

K AGEMUSHA begins with a simple tableau: a Japanese feudal lord, Shingen (Tatsya Nakada), sits in the center of the


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So Far Away

By David B. Edelstein  • 

T HERE IS A fundamental miscalculation in the new production of Uncle Vanya --the distance it puts us from the


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Progress Report

By David B. Edelstein  • 

J OHN SAYLES made The Return of the Secaucus Seven for his resume. He filmed it for $60,000 in 25


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The Monsters Within Us

By David B. Edelstein  • 

W HEN COMMERCIALS for Humanoids from the Deep splashed across television screens last spring--with scaly black creatures clawing at curvaceous

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