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Thomas C. Horne

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The Jazz Dance Workshop

By Thomas C. Horne  • 

What more could one ask for: well-built girls in revealing costumes, talented dancers of both ballet and modern, imaginatively choreographed


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HRO, HGC, and Radcliffe Choral Society

By Thomas C. Horne  • 

The Glee Clubs and the HRO seem to be good for each other. At least, when they combined for Haydn's


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The Harvard-Radcliffe Orchestra

By Thomas C. Horne  • 

The HRO showed off two supreme musicians Friday night: flutist Karen Monson '66, and pianist Ursula Oppens '65. They are


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Harvard-Radcliffe Orchestra

By Thomas C. Horne  • 

The HRO got off to a slow start Friday night, but it was worth the wait. Their closing performance of


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New York Theatre I:

By Thomas C. Horne  • 

Anyone with even a superficial knowledge of existentialism and Marxism can sense a basic incompatibility between the two dogmas. Jean-Paul


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Vietnam: A More Realistic View

By Thomas C. Horne  • 

At the time of the CRIMSON editorial last October, the United States was bombing North Vietnam. While supporting the administration,


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Harvard Review

By Thomas C. Horne  • 

Despite what you may have heard from your friends at the Law School, law can be interesting--especially if it is


Cover image for HRO, HGC, and Radcliffe Choral Society
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HRO, HGC, and Radcliffe Choral Society

By Thomas C. Horne  • 

The excitement of an event is magnified if it is preceded by boredom. Thus, the excitement of the best moments


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Lowell Davidson Trio

By Thomas C. Horne  • 

By last Thursday night, Lowell Davidson had already gone full circle in his style. Before playing with Ornette Coleman in


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Slow Dance on the Killing Ground

By Thomas C. Horne  • 

William Hanley's Slow Dance on the Killing Ground is kind of a New York version of Sartre's No Exit. Three

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