Film

  • Subscribe via RSS
  • Section

    All
    Admissions
    Arts
    Flyby
    Magazine
    Multimedia
    News
    Opinion
    Sports
  • Type

    All
    Image
    Pdf
    Widget
    Gallery
    Video
    Flash Graphic
    Table
    Map
    Article
    Topic Page
Film

From Cannes: "Valley of Love" Fails to Rise

In our continuing coverage of Cannes, Tianxing Lan reviews Guillaume Nicloux's disappointing would-be mystical road trip film, "Valley of Love."

Film

From Cannes: "The Little Prince" a Little Disappointment

In our continuing coverage of Cannes, Tianxing Lan reviews Mark Osborne's lackluster rendition of Saint-Exupéry’s "Le Petit Prince" (English "The Little Prince").

Film

From Cannes: "Macbeth" a Fresh Take

In our continuing coverage of Cannes, Alan Xie reviews Justin Kurzel's new adaptation of Shakespeare's immortal "Macbeth."

Film

From Cannes: "Youth" Not Quite Up to Scratch

In our continuing coverage of Cannes, Tianxing Lan reviews Paolo Sorrentino's "Youth," a touching examination of old age. Unfortunately, "Youth" does not quite live up to Sorrentino's last film, "The Great Beauty."

Film

From Cannes: Point/Counterpoint: "Marguerite & Julien"

In a point/counterpoint review from Cannes, Tianxing Lan and Alan Xie debate the merits of "Marguerite & Julien."

Film

From Cannes: "Nie Yinniang" ("The Assassin") Almost Too Deliberate

In our continuing coverage of Cannes, Tianxing Lan reviews "Nie Yinniang" ("The Assassin"), Hou Hsiao-Hsien's first wuxia film.

Film

From Cannes: "Shan He Gu Ren" ("Mountains May Depart") Beautiful but Flawed

In our continuing coverage of Cannes, Tianxing Lan reviews "Shan He Gu Ren" ("Mountains May Depart"), a film by ​Jia Zhang-Ke that documents a love story spanning several decades.

Film

From Cannes: "Hitchcock/Truffaut" Illuminates

In our continuing Cannes coverage, Tianxing Lan discusses Ken Jones's documentary "Hitchcock/Truffaut," which examines the historic interview in which the two great directors met.

Film

From Cannes: "O Piseu" ("Office") Thrills, Horrifies

In our continuing coverage of Cannes, Alan Xie reviews "O Piseu" (English "Office"), a horrifying South Korean crime drama and the debut film of director Hong Won-chan.

Film

From Cannes: "Louder Than Bombs" Disjointed but Touching

In our continuing coverage of Cannes, Alan Xie reviews "Louder Than Bombs," a flawed but nuanced portrait of a family in mourning.

Film

From Cannes: "La loi du marché" ("The Measure of a Man") Comes Up to Scratch

In our continuing coverage from Cannes, Tianxing Lan examines Stéphane Brizé's soul-crushing drama about a man cornered by his economic circumstances, "La loi du marché" (English "The Measure of a Man").

Film

From Cannes: "Dheepan" Oppressive, Nuanced

In our continuing coverage of Cannes, Alan Xie reviews Jacques Audiard's "Dheepan," an oppressively dark examination of the living conditions of immigrants in France.

Film

From Cannes: "Inside Out" a Colorful, Fresh Allegory

In our continuing coverage of Cannes, Alan Xie reviews "Inside Out," a refreshing new Pixar film about the emotions.

Film

From Cannes: "Sicario" a Raw Look at the Drug War

In our continuing coverage of Cannes, Alan Xie reviews "Sicario," a police drama taking a long, hard look at the drug wars.

Film

From Cannes: "Carol" Stuns

In our continuing coverage of Cannes, Tianxing Lan reviews "Carol," a romantic drama featuring tremendous performances from Cate Blanchett and Rooney Mara.

The Band at Convocation
College

Class of 2019: Beliefs and Lifestyles

Administrators on the Stage
College

Class of 2019: Academics & Extracurriculars

The View of Convocation
College

Class of 2019: By the Numbers

Sorry, Dorothy
Highlight

Sorry, Dorothy