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Alicia Lebrija, President of the Televisa Foundation, speaks at the Graduate School of Education on Friday morning. Televisa Foundation is creating a national media campaign to inspire immigrant youth to "Think about it" and apply for the Deferred Action for Childhood Arrivals program.
Eva A. Millona, Executive Director of the Massachusetts Immigrant and Refugee Advocacy Coalition, speaks at the Graduate School of Education on Friday morning. Millona stressed the importance of providing support to immigrant youth and encouraging them to apply for the Deferred Action for Childhood Arrivals program.
There’s a promising show in the works for fans of humor. “Laughter on the 23rd Floor,” produced by the Harvard-Radcliffe Dramatic Club and The Office for the Arts, is a comedy about comedy. Directed by Boyd I.R. Hampton ’16, the play premieres Oct. 17 at the Loeb Experimental Theater.
This 7 by 9 foot area in the Science Center Plaza designates the allocation of space given to those in solitary confinement in many penitentiaries. The space served as the site of a 23 hour long vigil between Tuesday and Wednesday in protest of current justice system policies.
A daughter brings home her fiancé to meet her parents, a somewhat ordinary event for most American families. Yet for the Newquist family, no event is ordinary. Harvard-Radcliffe Dramatic Club’s production of “Little Murders,” running from Oct. 17 to Oct. 25, is a dark comedy about a girl, Patsy Newquist, and her dysfunctional family.
Running from Oct. 9 to Oct. 11, Harvard-Radcliffe Dramatic Club’s “With Fates Driving”—written by Alona Bach ’16, scored by Eric R. Corcoran ’16, and directed by Sean K. Hardy ’16—presented a brilliant treatment of the fourth book of Virgil’s “Aeneid” that was both fresh and loyal to the source, proving definitively that it is possible to present an interesting and novel treatment of a text without subjecting it to intellectual fads.
BachSoc’s Oct. 10 concert, while containing some shining moments of musicianship, was a somewhat ragged affair and fell somewhat short of the ensemble’s usual brilliance.
“Tempo,” which will run from Oct. 16 to 17 at the Harvard Dance Center, showcases a variety of musical genres and modern dance styles, including classical, jazz, and contemporary.