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ARTS
By Laura E. Kolbe
Friday, April 22, 2005
“Meta” music has its place, particularly for Harvard-educated musicians. When bands write songs about songwriting, or about themselves, they can
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ARTS
By Laura E. Kolbe
Friday, April 8, 2005
If imitation is the highest form of flattery, then Beck Hansen has just established himself as a master of self-adulation.
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ARTS
By Laura E. Kolbe
Friday, April 8, 2005
Sever Hall’s animation studio has the feel of a mad scientist’s laboratory invaded by a troupe of kindergartners. Impossibly retro-looking
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ARTS
By Laura E. Kolbe
Thursday, April 7, 2005
If imitation is the highest form of flattery, then Beck Hansen has just established himself as a master of self-adulation.
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NEWS
By Laura E. Kolbe
Monday, March 21, 2005
Dido, Queen of Carthage Location: Loeb Drama Center Dates: March 5-26 Director: Neil Bartlett “Where we are is hell, and
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ARTS
By Laura E. Kolbe
Friday, March 18, 2005
“Le vin est mort,” declares independent vintner Aimé Guibert early in the documentary Mondovino . Wine is dead. It’s not
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ARTS
By Laura E. Kolbe
Friday, March 18, 2005
Did writers in pre-World War II Russia, Italy and Germany contribute to the rise of fascism—and the murders of millions—in
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ARTS
By Laura E. Kolbe
Thursday, March 10, 2005
Last Tuesday, Tony award winner Faith Prince brought both her celebrated vivacity and a healthy dose of sound advice to
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ARTS
By Steven N. Jacobs, Laura E. Kolbe, and Scoop A. Wasserstein
Thursday, March 10, 2005
BE COOL Be Cool is the most ironically named movie since What’s the Worst That Could Happen? Crass commercialism rarely
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ARTS
By Steven N. Jordan, Laura E. Kolbe, and Scoop A. Wasserstein
Thursday, March 3, 2005
BRIDE AND PREJUDICE In Bride and Prejudice, Gurinder Chadha (Bend It Like Beckham) proves her directorial versatility by offering up
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