Black Arts Festival Co-Chair Olutoyin Demuren ’18 welcomed Scott and Spalding to the festival and introduced this year’s festival theme, “Coming of Age,” which she said symbolizes “a constant making and remaking of our identity.”
Scott credited her early exposure to art to days in her youth when her mother would take her to Ortlieb’s, a jazz club in Philadelphia.
“That’s where I learned how powerful art truly was,” she said.
“I tried to remember that they have to find the truth in every word, every phrase, every moment. Where is the truth as an actor, as a writer, as a singer, as a human being?” Scott said.
The event started with Kuumba singers serenading Scott with her song “Golden.” Several students then performed musical numbers and received feedback from Scott. Guitarist Alexander S. Graff ’17 provided backing instrumentals for several of the performances.
Billed to the public as a masterclass, the feedback and instruction Scott gave to student performers made the event an interactive space, attendees said.
After Arlesia G. McGowan ‘19 performed an original piece called “Unenduring,” Scott emphasized the importance of sharing personal spirit through your song.
“Taste what you’re saying. See the color of what you’re saying,” Scott told McGowan.
Scott seemed to particularly enjoy an original, untitled composition performed by Eden H. Girma ’18. After Girma finished singing, Scott said, “You don’t need to sing anybody else’s songs anymore.”
Michael A. Wingate ’18 performed last, singing a cover of “Plastic” by Moses Sumney—marking another song Scott appeared to relish.
“When you have a voice like yours, all you have to do is tell the truth," Scott said.
While Scott offered performers feedback, she shared her insight with those watching, too, telling them about the struggles that come with publicly performing.
“You have to be vulnerable to many,” she said. “The price of performance is impact and vulnerability.”
—Staff Writer Andrea M. Bossi can be reached at email@example.com and on Twitter @bossi147