Kyle L. K. Mcauley

Two Lovers

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Straddling the line between industry and art (and doing neither that well), “Two Lovers,” James Gray’s latest film about wayward

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The name Guns N’ Roses is a hex, a curse; synonymous with dysfunction, collapse, and eternal damnation—the Voldemort of the

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“There is something horribly efficient about you,” Camille (Olga Kurylenko) says to a certain British spy halfway through “Quantum of

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Throughout the years, Metallica has managed to remain heavily invested in metal while earning devoted fans outside of 17-year-old Nietzscheans

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LONDON — When I arrived here this summer, I expected to experience the same degree of culture shock I felt

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The purpose of a documentary—and, some would hold, of art in general—is to make plain the unclear. “Secrecy,” the new

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CORRECTION APPENDED Anthony Bourdain, “No Reservations” The original bad boy celebrity chef (yes, we have those), Anthony Bourdain rose to

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Although “We Own the Night” is set in a stark, drab New York City of 1988, it is unmistakably a

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There is no such thing as darkness in New York City. Always, streetlamps and headlights edge their lambent glows into

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With a kind smile and bright demeanor, Emily K. Vasiliauskas ’07 doesn’t seem a likely match for the cryptic, tenebrous