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Visitors contemplate the provoking work "Rehearsal for a Reunion (with the father of pottery)" by Simon Fujiwara now on display at The Carpenter Center.
Visitors contemplate the provoking work "Letters from Mexico" by Simon Fujiwara now on display at The Carpenter Center.
The exhibit consisted of sculptures of smashed mugs, video clips of dialogue between a subject and an interrogator, typed letters attached to books, and photographs.
Although implementation is just a series of approvals away, much has yet to be determined for Harvard’s first-ever dramatic arts concentration.
The Ethelbert Cooper Gallery of African & African American Art opened Tuesday night at the Hutchins Center for African & African American Research after a discussion with curators David Adjaya and Mariane Ibrahim-Lenhart. The Pigozzi Contemporary Art Collection will be on view Oct. 21, 2014 through Jan. 8.
The Ethelbert Cooper Gallery of African & African American Art opened Tuesday night at the Hutchins Center for African & African American Research after a discussion with curators David Adjaya and Mariane Ibrahim-Lenhart, moderated by Henry Louis Gates.
"Hurricane Noel," a 2007 work by Nathalie Miebach, blends data and sculpture together.
Employed as a court painter by four successive Spanish monarchs and beloved for his flattering paintings of aristocrats and intellectuals, Goya was also gifted with a perceptive eye for human nature and the sociopolitical changes of his country, as suggested by his sometimes mordant lithographs, prints, and etchings.
Persuasive and engaging, digital visualizations are opening up new frontiers of understanding and sharing information, as well as creating new risks.
University President Drew G. Faust and several art specialists agreed on the importance of art museums on university campuses at a panel discussion Thursday afternoon.
A critique of the increasingly influential designers suggests that youthful vivacity can trump sleek sophistication.