Music
Artist Profile: Harvard’s Own Williams* on Living to Create
Harvard is lucky to have an artist like Williams* on campus, documenting his college years through his music. And aren’t we lucky to take it all in.
Concert Review: Ishay Ribo Brings ‘Solidarity and Soul’ to Harvard
Ribo’s performance and the togetherness of the night sought to give attendees strength and revitalized hope that they could take back with them.
Matisyahu Concert Review: Constant Energy and Cohesive Sound
Returning to the stage with energy and a captivating sound, his performance is sure to delight and excite any and all fans of alternative and reggae music.
Daisy the Great Concert Review: A Night of Heartfelt Harmonies and Humors
Daisy the Great made themselves memorable and approachable through their songs, conversations with the crowd, and sprinkles of dry humor.
Kacey Musgraves’s ‘Too Good to Be True’ — A Lyrical Letdown
As potentially one of the most talented singer-songwriters of this generation, Musgraves, unfortunately, misses the mark in “Too Good to Be True.”
‘Miss Me Too’ Single Review: Griff’s Touching Yet Dynamic Electro-Pop Record
While the song features remarkable vocals and an irresistibly rousing beat, it’s stagnant in comparison to Griff’s broader discography.
Country Music Has a Problem: It’s Not Beyoncé
Beyoncé becoming the first Black woman to top the country music charts is a historic moment that many will look upon for inspiration and empowerment.
Tinashe Concert Review: Good Things Come in Threes, ‘BB’
Tinashe embodies the R&B “it girl,” and consistently showcased remarkable vocal prowess and impressive dance skills throughout her concert.
‘Overcompensate’ Single Review: Twenty One Pilots Brings Emo Back
Is emo back? The newest single from Twenty One Pilots, “Overcompensate,” seems to answer this question with an emphatic “yes.”
On the Record: A Black History Month Vignette
Here’s how The Crimson’s Arts Board embraces Blackness to the fullest (with the volume all the way up).
‘Older’ Single Review: A New Era for Lizzy McAlpine
Lizzy McAlpine captures relatable feelings with a gloomy approach and invokes familiar wistful sentiments through her delicate sound.
‘Drop 7’ EP Review: A Sonic Experiment that Leaves Room for Growth
“Drop 7” evokes a yearning for a more ambitious Little Simz project because we know what she is capable of.
‘INSANO’ Album Review: Not So Insane
While it is important for artists to grow and evolve, it is equally important for them to remember what made them great in the first place.
‘Don’t Forget Me’ Single Review: Love and Longing for Youth
“Don’t Forget Me” is a journey of healing and acceptance, with Rogers leading the way.
‘Lonely Dancers’ Single Review: Conan Gray Discovers 1980s Synth-Pop
This song works for a quick, lonely dance, but after repetition it becomes annoying.
Phoebe Go Concert Review: From Snakadaktal to Solo Stardom
Go has emerged as a rising star within the alt-pop scene, and her concert was a testament to the power of musical evolution.
‘Waiting in Vain’ Review: Daniel Caesar’s Reimagining of a Caribbean Anthem
This song embodies the coexistence of present and past, of homeland and diaspora, of son and father. It tells the story of anyone who has ever experienced longing.
Artist Profile: Local Weatherman Predicts a Wildfire of Creative Flame
“Just build a community of people who are into music and supporting [bands], and going to shows, and going out in the city and checking out what bands are playing.”
For the Lovers: Songs for Everyone Who Loves on Valentine’s Day
As the divisive celebration of Valentine’s Day slowly approaches, all who consider themselves lovers will find themselves in a different state of mind.
‘Clarity’ Single Review: Notes on Introspection and Living From 24kGoldn
“Clarity,” a new single by 24kGoldn released two weeks ago, is a beautifully authentic testament to the pain and bliss of adulthood.
A Korean American Retrospective on Third Generation K-Pop
As life moves on and the haze of the past grows ever stronger, the memories of third-generation K-pop stick to me like mud on the wall.
‘Selfish’ Review: More Throwback, Less Comeback
“Selfish” clings to a past era of boy bands and feel-good love songs, making it sound out of place now.
‘Blue Raspberry’ Review: Katy Kirby Crystallizes as an Exciting Indie-Folk Voice
“Blue Raspberry” showcases a developed, distinct sound that focuses on the hard realities and deceptions of love.
Top 10 Albums of 2023
The Crimson Arts Board presents its musical favorites of 2023, from "Barbie The Album" to "For all the Dogs."
Concert Review: quinnie’s Dreamy Night Celebrating Gentle Love
A remarkable exploration of intimacy, love, and self-reflection, quinnie’s set was full of well-crafted lyrics, rich instrumentation, and delightful singing.