Crimson staff writer
Audrey H. Limb
Latest Content
Nubya Garcia Concert Review: Presence, Sonified and Embodied
Despite the bare-bones staging, Garcia and her bandmates kept the energy high with remarkable musicianship and gratitude for the moment.
‘Water Moon’ Review: Substituting Plot With Poetic Potential
Not all adventures are for the books. Some, like Samantha Sotto Yambao’s “Water Moon,” were destined for poetry and illustrated dreamscapes.
‘Winning Streak’ Review: Jelly Roll’s Got Himself a Winner
The song is in first-person perspective, providing a deeply intimate window into Jelly Roll’s personal struggles with alcoholism and addiction.
‘The Company’ Review: Missing the Mystery
"The Company" by J. M. Varese suffers from dull narration and a painful absence of character development, amiss for this so-called Gothic thriller.
Dorm Room Art: Vignettes by The Crimson’s Arts Board
With Harvard move-in now complete, The Crimson’s Arts Board reflects on their favorite pieces of dorm room art.
Nostalgic Candy: Vignettes by The Crimson’s Arts Board
This week, The Crimson’s Arts Board reflects on their favorite types of candy from childhood, and the memories that it brings to mind.
‘The Reservoir’ Review: Literary Eloquence and Emotion, Unmasked
David Duchovny's “The Reservoir” is touching, ironic, and heartbreaking all at once, a startling reminder of just how recent the COVID-19 era was.
‘Selfish’ Review: More Throwback, Less Comeback
“Selfish” clings to a past era of boy bands and feel-good love songs, making it sound out of place now.
What the Hell Happened: Climate Activists Attack Velázquez Painting
On Nov. 6, the London National Gallery’s famous painting suffered its second attack from social activists.
‘exes’ Review: Tate McRae’s Latest Single is Fun But Forgettable
The lack of innovation and substance throughout the song makes it forgettable, and sets an underwhelming forecast for future drops.