Ryan R. Christ ’13 has always loved making models of how things work. When his mother gave him a library card at age eight, he went straight for “the molecule books” to make little drawings of how atoms turned into earthly matter and living things.
Wilson frames “The Social Conquest of Earth” as a dialogue with painter Paul Gauguin, who penned on the canvas of his 1897 Tahitian masterpiece: “Where do we come from? What are we? Where are we going?”
The Harvard Dance Program uses a creative design for this year's program.
Sporting a velvet cape and a mysterious aura, Herr Drosselmeier knows how to cast a spell. With a small wooden ...
For me, there’s nothing better than a film with a great dance sequence—the kind that propels you off the couch ...
Founded in 1992 by current Medical School Dean for Students Nancy E. Oriol, The Family Van hits the streets of Boston six days a week.
The African Ebola filovirus is a master hijacker. Co-opting a host cell’s cargo-transport system, an Ebola virus passes undetected through a cell’s outer membrane and overtakes the host’s molecular machinery for its own proliferation.
In her sparkling white-walled office at the Harvard Dance Center, Jill Johnson described the study of épaulement: the placement of ...
In the Boston Ballet’s February press release, famed choreographer Jorma Elo said of his newest production, “I hope the audience ...
Last Friday, the Harvard Dance Center’s Studio 1 was transformed into a black box theater. Boston Ballet’s Artistic Director Mikko Nissinen told his audience, “I hope to show the progress of the art form through the eyes of contemporary repertoire.”
Hailing from an extended family of classical musicians, I had a slightly uncharacteristic childhood. Though my parents were mostly ignorant ...
During a time when many ballet companies are struggling to stay afloat, Artistic Director Mikko Nissinen is not only preserving ...
Scholars at Harvard and beyond investigate how writers and readers are adapting to the digital age.
When Carolyn W. Holding ’10 walked into her first audition for a Harvard theater production, director Catherine “Calla” Videt ’08-’09 knew that she had found her lead. “I felt that little reaction when talent walks in,” she says, “and when I learned that Carolyn was a freshman, I was so happy that she would be here for many years.”
Dig Inn to Sprout in Harvard Square
Who Can Be ‘Racist’?
Sullivan Criticizes Harvard, Higher Education in Op-Ed
‘With Us or Against Us’: Current, Former Winthrop Affiliates Say Faculty Deans Created a Toxic Environment Stretching Back Years
Harvard Rescinds Acceptances for At Least Ten Students for Obscene Memes