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NEWS
By Benjamin J. Soskin
Monday, April 26, 2004
When Henrik Ibsen wrote Hedda Gabler , he created characters whose psychologies would push them ever closer to destruction as
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NEWS
By Benjamin J. Soskin
Monday, April 19, 2004
Let me tell you why it’s impossible to stage a great production of A Streetcar Named Desire . It’s nothing
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ARTS
By Benjamin J. Soskin
Monday, April 12, 2004
“Two intermissions! There are two intermissions!” announced Jeremy W. Blocker ’04 as he passed through the Loeb Mainstage audience on
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NEWS
By Benjamin J. Soskin
Monday, March 22, 2004
There is an appealing air of vitality in the Loeb Ex production of Roberto Zucco , which runs through next
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NEWS
By Benjamin J. Soskin
Monday, March 15, 2004
Sam Shepard’s A Lie of the Mind is a play about delusion. It’s difficult to write a play about delusion,
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ARTS
By Benjamin J. Soskin
Friday, February 7, 2003
This is not an easy year to handicap the Oscar nominations, due to be announced Feb. 11. Nearly every category
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FM
By Benjamin J. Soskin
Thursday, October 10, 2002
Punch-Drunk Love, the latest movie from master filmmaker Paul Thomas Anderson, is a fresh, subdued playlet of a comedy from
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ARTS
By Vijay A. Bal, Matthew Callahan, Clint J. Froehlich, Tiffany I. Hsieh, Steven N. Jacobs, Michelle Kung, Amelia E. Lester, and Benjamin J. Soskin
Friday, May 3, 2002
20TH CENTURY FOX Unfaithful (May 10): As his hair gradually turns a whiter shade of gray, Richard Gere’s name has
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ARTS
By Benjamin J. Soskin
Friday, March 22, 2002
To be honest, I really don’t like Steven Spielberg. He’s simplistic, condescending and, the odd for-the-ages shot aside, he isn’t
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ARTS
By Benjamin J. Soskin
Friday, February 8, 2002
At the start of every year, film pundits and critics across the country wail about the dearth of cinematic treasures
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