Overtly vulgar and salacious, “Dolemite Is My Name” is an unabashed celebration of the spirit and life of 1970s blaxploitation-era film icon Rudy Ray Moore (Eddie Murphy).
In her latest film “First Cow,” writer-director Kelly Reichardt follows the story of Cookie (John Magaro), a man just ousted from a group of fur trappers in early 19th century America.
Director Leigh Whannell freshens the classic tale by following not the titular invisible man, but a new character instead. Enter Cecilia Kass.
No one can deny Bob Iger’s place in Hollywood history: Under his leadership as CEO of The Walt Disney Company, the Mouse House set unprecedented box office records.
Autumn de Wilde and Anya Taylor-Joy Discuss the Crazy Coincidences and Timeless Relatability of 'Emma.'
Autumn de Wilde is the latest director to bring this romantic satire of hubris and misunderstandings to the big screen, casting Anya Taylor-Joy as her witty but vain heroine.
The film holds at its core the irresistible radiance of young romance, telling a palpable love story that can thaw even the coldest of hearts.
Although it never strays far from Jane Austen’s beloved novel, “Emma.” still manages to feel inventive and fresh in a sea of other adaptations.
While “Birds of Prey” is mired in sloppy plotting, it is also embellished with a flourish of indulgent violence that seems lifted directly from its comic book origins.
With “Jojo Rabbit,” a coming-of-age Nazi comedy, modish writer and director Taika Waititi makes a big wager: that audiences will swallow their initial discomfort long enough to decide that Waititi has actually fashioned a brilliant mockery of Nazism and bigotry.
While the film features several compelling performances and competent worldbuilding, it is burdened by its pacing and incomplete character arcs.
“The Rise of Skywalker’s” mistakes are so apparent and avoidable that it's frustrating seeing how much better of a film it could have been.