Film
‘It’s What’s Inside’ Review: Dark, Twisted, But a Little Tangled
“It’s What’s Inside” isn’t groundbreaking, but it’s satisfying enough to hit the spot.
Kip Thorne, 2017 Nobel Laureate, Talks Black Holes During Inaugural Hawking Lecture
Hundreds packed Science Center Hall B to watch Kip S. Thorne, a professor of theoretical physics at Caltech and a 2017 Nobel Prize laureate, discuss black holes and wormholes during the inaugural Hawking Lecture on Friday.
Artist Profile: Samantha M. Galvin ’24 on Her Film ‘Don’t Speak Ill of the Dead’ and Tracing Familial Connections
Samantha M. Galvin discusses her work as a filmmaker, including her thesis project "Don't Speak Ill of the Dead."
‘Conclave’ Review: A Visually Stimulating Thriller Tempered by a Lukewarm Ending
While “Conclave” is a visually and sonically stunning exploration of Church politics, it falls short in providing an emotional resolution for its characters and its viewers.
‘The Wild Robot’ Review: A Fantastic Family Film
Overall, the film explores its vision with creativity and consistency, exploring important themes and relationships to form an emotional and uplifting story.
Hitchcock’s Title of “Master of Suspense” Lives On
Hitchcock’s undeniable ability to push the boundaries of the thriller genre has made him have one of the most long-lasting marks in the film industry.
Artist Profile: Kensington Tallman on Voicing Riley in ‘Inside Out 2’
Tallman seeks to empower her audience through her work, just as she has done in “Inside Out 2.”
‘We Live in Time’ Review: A Bit Off Tempo
Pugh and Garfield deliver compelling performances, but "We Live in Time" overall lacks the directorial vision that could have made it truly shine.
‘Uglies’ Review: A Heartwarming Return to Teenage Dystopia
“Uglies” provides the heartwarming nostalgia of the films and novels of the early 2010s and may be the perfect feel-good movie for a chill night in.
‘Omni Loop’ Review: An Inventive but Ponderously Slow Sci-Fi Drama
Britto’s sci-fi drama falls slightly short of its potential but still provides a valuable and inventive meditation on grief and loss.
From Cannes: ‘All We Imagine As Light’ Illuminates Resilience in Love and Life
“All We Imagine as Light” is a remarkable film that seamlessly blends visual poetry with a profound exploration of personal and societal change.
From Cannes: ‘The Apprentice’ is a Riveting Portrayal of Trump’s Early Ambitions
“The Apprentice” distinguishes itself through its focus on character development and period authenticity.
From Cannes: ‘Grand Tour’ is a Hidden Gem
“Grand Tour” by Portuguese auteur Miguel Gomes proves to be one of the year’s most captivating cinematic masterpieces.
From Cannes: ‘Anora’ is Sean Baker’s Latest Masterpiece
Baker’s “Anora” ultimately reaffirms his status as a poet laureate of the hustler class, capturing the beauty and struggle of his characters.
From Cannes: ‘Emilia Perez’ is a Daring and Surprising Musical
Jacques Audiard's newest film "Emilia Perez" has an audacious nature that ensures it will be a talking point long after the festival buzz subsides.
From Cannes: ‘Motel Destino’ is Filled with Desire and Desperation
“Motel Destino” is more than just a setting; it is a character in its own right.
From Cannes: ‘Kinds of Kindness’ is a Twisted Triptych
Known for his unconventional style, Yorgos Lanthimos returns to his roots with his newest film “Kinds of Kindness.”
From Cannes: ‘The Substance’ is a Sparkling and Divisive Body Horror
It is nearly unimaginable to not feel seen by French director Coralie Fargeat’s “The Substance,” which premiered at the 77th Annual Cannes Film Festival.
My Letterboxd Top Four: Your New Favorite Movies
In sharing my Letterboxd top four, I hope to inspire you to create an account and, at best, inspire you to watch one or two or all of my favorite films.
‘Love Lies Bleeding’ Review: Subverting Tropes Around Crime, Thriller, and Love
The movie begins as one would expect. However, the film quickly divulges into a wild, thrilling narrative that keeps viewers on the edge of their seats.
Artist Profile: Maria ‘Bimba’ I. Carpenter ’26 on Elevating the Mundane Through Comedic Filmmaking
Though she’s still learning, practicing, and working on her craft, Maria "Bimba" Carpenter has that forward momentum.
‘The First Omen’ Review: A Prequel that Fails to Measure Up
The prequel to David Seltzer's 1976 film "The Omen" is a passable film that leaves something to be desired in its visuals and conclusion.
Listicle: Films to Watch on 4/20
The best, unofficial holiday is just around the corner and picking the right movie is key to maximizing the 4/20 experience.
‘Challengers’ Review: Too Hot to Handle Itself
While its script is intriguing, "Challengers" tries to differentiate itself from the sports genre too dramatically with technical elements and sexual subplots.
‘Girls State’ Review: God Can Save the World, Women Will Save America
"Girls State" serves as a welcomed companion to Amanda McBaine and Jesse Moss's previous documentary, "Boys State."