Lydia H. Fraser
Latest Articles
‘Until Dawn’ Review: Sandberg Offers a Familiar Yet Entertaining Horror Experience
The result is a movie that succeeds in entertaining through its ambitious, if sometimes disjointed, experimentation.
In Tribute to David Lynch: The Brattle Commemorates the Late Filmmaker
From Feb. 24 to 27, cinephiles gathered at The Brattle Theatre to celebrate the visionary work of David Lynch.
The Hasty Pudding Honors Jon Hamm as 2025’s Man of the Year
Harvard’s historic Hasty Pudding Theatricals honored Jon Hamm as its 58th Man of the Year on Friday, Jan. 31.
‘Companion’ Preview: Rewiring the AI Horror
Hancock’s film takes a decidedly fresh turn, exploring what happens in a story about “AI gone right.”
Artist Profile: Samantha M. Galvin ’24 on Her Film ‘Don’t Speak Ill of the Dead’ and Tracing Familial Connections
Samantha M. Galvin discusses her work as a filmmaker, including her thesis project "Don't Speak Ill of the Dead."
What the Hell Happened: Media Re-Releases Now Made Possible by AI
The current uses of AI in media re-releases are fundamentally unnecessary and could even be harmful to the art.
‘Dress Up’ Review: Unraveling the Many Layers of Fashion and Identity
“Dress Up” at the MFA Boston is an innovative navigation of the versatility and ubiquity of fashion.
Deconstruction and Reconstruction: Chassidy A. Winestock and Maren Hassinger on ‘A Female Landscape and the Abstract Gesture’
In an event held in person and virtually on March 7, artist Maren Hassinger joined Winestock for a special conversation about the exhibition.
‘LaToya M. Hobbs: It’s Time’: A Monumental Negotiation of Time, Space, and Labor
Hobbs' prints foster an immersive and affective experience through their content and immensity that invites visitors to contemplate the intersections of time, space, and labor.
‘Stopmotion’ Review: An Unsettling Confrontation of Corporeality in Art
“Stopmotion” takes your classic, tortured-artist psychological horror and wraps it up in a sensory nightmare.