Thomas A. Ferro
Thomas A. Ferro is the Arts Chair of The Crimson’s 152nd Guard. He can be reached at [email protected].
Latest Articles
Building Harvard: The MBA Class of 1959 Chapel
The chapel’s power comes from its architecture’s considered and deliberate attunement to its intended use.
Artist Profile: Marta Mateus on Time, Tales, and Dreams
Marta Mateus’ films find a common ground by doing something that is easy to say but hard to achieve: centering the human experience.
Arts Vanity: Here’s Looking at You, CrimArts
As a semi-Luddite, I’ve stuck with CrimArts — and have really, really loved it — because, among other things, it keeps me up to date.
Closeouts: CrimArts, Because We Knew You, We Have Been Changed For Good
TAF: We have been changed… IAL: For good.
Building Harvard: The Harvard Art Museums
The Harvard Art Museums elegantly combines both new and old.
‘Is a River Alive?’ Review: A Stilted Love Letter to the Natural World
Each chapter offers a fleeting image of the ever-changing rivers, leaving readers with an appreciation for their fragility and need for preservation.
Don’t Tell Aunty Review: Nothing to Write Home About
Billed as “Boston’s first Indian gastropub,” Don’t Tell Aunty serves “tapas-style” dishes in an upbeat environment.
Building Harvard: The Carpenter Center
One space on campus — resting between the dignified bricks of the “classic” Harvard buildings — is the Carpenter Center.
Should Didion’s ‘Notes to John’ Be Published? No.
Unless a work was explicitly intended for publication, unpublished works should remain just that.
‘Night Side Songs’ Preview: Interactive Theater’s Approach to Caregiving and Catharsis
“Night Side Songs” offers an intimate evening meditating on the tragic, yet universal themes of illness and caregiving.