“I hope that whatever story or experience I have can be a little bit more accessible to students,” Smith said.
The Lyric Stage Company of Boston, the city’s oldest professional theater company, is aiming to help teachers with the Lyric First Page Playwriting Festival.
While the rural nature of Massachusetts’ westernmost county poses a challenge to small businesses, the low density is a blessing for pandemic-era theater.
“Welcome to you, welcome to your drag aesthetic and your people.” These words marked the beginning of a virtual panel on drag culture hosted by the A.R.T.
While the magicians’ tricks remain undisclosed, the excitement and fun of “The Conjurors’ Club” is a secret that should be shared with everyone.
Ultimately, the show’s greatest contribution is the empathy it affords Trisha; her narrative provides a window into the other side of a coming-out story.
In “Behind the Scenes: The Circle of Becoming,” the American Repertory Theater showcases the spirit of collaboration that’s always driven their work.
The “Solitaire Suite” team is overcoming the hurdles of remote performance through creative uses of technology.
Rather than imposing his own vision, Bobbitt prefers to center the needs of artists themselves.
If viewers are willing to allow this production to defamiliarize and unsettle — which it accomplishes to great effect — then they can expect an impactful, if ambiguous, theatrical experience.
These magic tricks serve a higher purpose of establishing authentic emotional connections with the audience and encouraging genuine introspection.
Theater thrives on physical proximity. What happens, then, when a global pandemic makes in-person performances impossible?
This first installment of “BB@yourhome” provides a deep dive into Forsythe’s works, with excerpts from a wide range of pieces including “Playlist (EP),” “Pas/Parts 2018,” “The Second Detail,” “Artifact 2017,” “Blake Works I,” and “In the Middle Somewhat Elevated.”
Lee, a playwright, director, and filmmaker, is often commended for her experimentality, humor, and use of the avant-garde.
The American Repertory Theater, led by Artistic Director Diane M. Paulus and Executive Producer Diane Borger, announced initial steps toward establishing its commitment to anti-racism on its website earlier this month.