‘Dragon Mama’ is a One-Woman Feat

A soft plucky guitar fills the speakers. After a moment, it’s replaced by a rush of wind, accompanied by birdsong. “Thanks for choosing to be here,” proclaims the screen. “Hold onto your butts.”

Boston Ballet Kicks off a Digital Season with “Forsythe Elements”

This first installment of “BB@yourhome” provides a deep dive into Forsythe’s works, with excerpts from a wide range of pieces including “Playlist (EP),” “Pas/Parts 2018,” “The Second Detail,” “Artifact 2017,” “Blake Works I,” and “In the Middle Somewhat Elevated.”

A.R.T. Announces Initial Action Steps to Further Anti-Racism Commitment

The American Repertory Theater, led by Artistic Director Diane M. Paulus and Executive Producer Diane Borger, announced initial steps toward establishing its commitment to anti-racism on its website earlier this month.

An Open Letter to the Ballet Community

For an art form built up among aristocrats with a history of exclusivity and racism, this should have been, and must be, a major warning bell. Yet as America erupted in pain and outrage, the ballet world failed to react.

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