Crimson staff writer
Isabelle A. Lu
With its production of "Falstaff," the Harvard College Opera proved, once again, that opera can retain its classic humor while experimenting with modernity.
As an English concentrator, sometimes I joke that I don’t even believe what I argue in my essays. Yet “Life of Pi” convinced me that multiple truths can coexist in the same space.
While it is satisfying to see the great David Tennant and Catherine Tate grace “Doctor Who” with their show-stealing presence and comedic chemistry once again, “The Star Beast” fails to do justice to this momentous occasion.
Bursting with dog-headed women and women-headed dogs, banana ghosts, and wishes tied into realization with red thread, “Organ Meats” is paradoxical, yet beautiful.
Audiences heading to Sanders on Nov. 5 for “FRAGMENTS 1” should shed all expectations, except for that of music unlike anything they’ve ever experienced before.