Contributing writer
Amelie Julicher
Latest Content
‘A Doll’s House’ Review: Jessica Chastain Shines in Minimalistic Broadway Revival
“A Doll’s House” is a well-rounded standout rendition of a theater classic that particularly shines in its stellar casting.
“True Lies” Premiere Review: A Remake Truly No One Knew They Needed — Because They Didn’t
Though the show does make some attempts to challenge these gendered stereotypes, they are rather fruitless given the inherent sexism within the storyline itself.
‘George & Tammy’ Review: Even George and Tammy Can Only Hold On For So Long
Showtime’s “George & Tammy” is one of the many biopics currently flooding the television landscape — but it might be the best one yet.
‘On Beckett’ Review: Bill Irwin’s Play Is a Captivating Theatrical Lecture
After 90 minutes Bill Irwin looked at the audience one last time before saying his final line: “This is all I have to say tonight, “ skillfully leaving the audience wanting more — more “On Beckett” and more Bill Irwin.
What the Hell Happened: Van Gogh is Crying, But Heinz is Happy!
On Oct. 14, two fossil fuel protesters threw two cans of tomato soup on Vincent van Gogh’s painting “Sunflowers” and glued themselves to the wall of the crime scene.
The 74th Emmy Awards: A Mediocre Blast From The Past
The 74th Emmy Awards honored this past year’s best moments in television — but the ceremony itself does not make that list.
'Ozark' Season 4 Part 2 Review: Not A Happy End But A Deserving Emmy Contender
After three and a half seasons, viewers might think they finally know the Byrdes. But just as that wrongful assumption took hold, Netflix dropped its final season, and it was earth-shattering.
‘The Music Man’ Review: A Joyful Musical Theater Marathon That Could Have Gone That Extra Mile
What the revival lacks in originality, it makes up for with a breathtaking ensemble. The audience might not leave the theater smarter, but at least they leave it happier.
'The Pirates of Penzance' Preview: “A Gateway Drug of Operetta”
On Nov. 11 at the Agassiz Theatre, the Harvard Radcliffe Gilbert and Sullivan Players will celebrate the premiere of “The Pirates of Penzance,” a comic opera.
A 'Winter’s Tale’ So Magical, Shakespeare Could Only Have Dreamed about It
On Oct. 28 at the Loeb Ex, the Hyperion Shakespeare Company premiered its magical rendition of Shakespeare’s classic play. After a long time away from in-person theater, this is one of the very first productions at Harvard devoid of laptop screens, virtual backdrops, and — most importantly — Zoom.