Last month, the cable channel Oxygen came under fire for one of its shows in development. Titled "All My Babies' Mamas," the show follows rapper Shawty Lo and his ten "baby mamas," with whom he has a total of 11 children.
Unless you’ve been in a coma for the past ten months, you've probably heard about "Girls," which premieres its second season tonight on HBO. You've also probably heard as much about the polarized opinions surrounding Lena Dunham—the show's 26-year-old writer, director, executive producer, and star—as you have about the show's portrayal of hookup culture and twenty-something life.
Due to the cast’s impeccable comedic timing, an exceptional performance on Carey’s part, and Squibb’s playful theatricality, the Harvard-Radcliffe Dramatic Club’s production of “Accidental Death of an Anarchist”—which runs until November 5 on the Loeb Mainstage—is thoroughly enjoyable despite its halfhearted attempt at a pointed political critique of the financial crisis.
Jin’s intent is not to create a historical account of the victims of the Nanjing massacre. “Nanjing Requiem” is instead an ode to an individual who fought against the atrocities, the American missionary Minnie Vautrin.
Though Lenora C. Murphy ’12’s production of “Rosencrantz and Guildenstern Are Dead” grapples successfully with the challenges of the text, it is undermined by a faltering attempt to infuse the play with a modern aesthetic. Luckily, the production overcomes this weakness due to the winning dynamic between Silva and Kahn.