Declare baking an art form, and it’s likely you’ll be met with a few raised eyebrows. But for students at Harvard with a passion for creating desserts that are as aesthetically dazzling as they are delicious, there is no question that dessert-making is indeed an art form.
What happens when two men try to seduce the other's fiancée? The outcome can be seen in the Dunster House Opera's "Così fan tutte," premiering Wednesday, February 5. Infused with a modern edge, DHO's rendition of Mozart's classic opera takes on a new perspective.
Arts programs have managed to have an unmistakable impact of young people, even in the face of budget cuts and policy changes. Though not a panacea, they have shown themselves to be an important part of a long-term economic strategy for urban renewal.
Every fall television networks do the equivalent of throwing spaghetti at the wall to see what sticks by premiering dozens of new shows, hoping at least one of them is a hit that will make them millions in ad revenue. These are four of the most heavily promoted new shows of the fall—and our take on whether or not they live up to their hype.
For a musical about Hell, "What the Hell?!" is strikingly uplifting. It's a world where Satan (Brad A. Latilla-Campbell '16) is a socially isolated failure, and where the most gruesome scene is an attack with hockey sticks. Despite using political messages as a source of humor—much was made of Hell's ill-advised decision to "go corporate," and the Greedy Pig demon lord kept workers at Walmart non-unionized—the show did not moralize to the audience.