The Museum of Fine Arts' latest exhibit, “Class Distinctions: Dutch Painting in the Age of Rembrandt and Vermeer,” offers a nuanced investigation into the rise of a bourgeoisie created by global trade and a sympathetic meditation on striving to improve, maintain, or accept one’s class identity.
Director Michael Cuesta's "Kill the Messenger" tells the true story of how American journalist Gary Webb (Jeremy Renner) wrote an article in the 1990s exposing corruption in the US government, tasted fame, then paid for it.
To read a novel like David Bezmozgis’s “The Betrayers” in this mighty age of American literary mass-production is like getting to nibble on one of those small, precious slabs of black-market chocolate in “1984.” Aha! is the feeling: here is a book that recalls what fiction can do! Its quality is concentrated in every part, not scattered about and diluted.
Yes, it is worthwhile to read this feisty little novel, which was written by Joanna Ruocco and published by an innovative women’s literature group called Dorothy, A Publishing Project. But the worth may not be in its pleasure so much as its pain.
The discovery of natural gas reserves around Cyprus raises both hope and concern regarding relations among countries in the Middle East and Europe, panelists said Thursday at the Center for European Studies.
There are a lot of dissonant notes in “The Skeleton Twins,” but at some point the film, like its troubled characters, does begin to achieve a difficult harmony. Johnson’s suggests how, by sharing our burdens in mutual sympathy and good humor, we just may have the chance to keep each other afloat.
Reading “The Secret Place” is like living adolescence all over again: tumbling down a hole into adulthood, awakening to a world terrifically distorted yet recognizable, feeling misunderstood by everyone and desperate to please.