Theater
Artist Profile: A Great Big World on the Fulfilling Process of Composing ‘Wonder,’ Their First Musical
“We felt like it was the perfect story for the type of music that we write. It really spoke to us,” Axel said.
‘Something Exquisite You’ll Want to Visit’: The Highlights of “Wicked” Trivia Night at the Huntington
In a series of questions, split into seven rounds, the almost 50 Wicked superfans who attended the event were asked to test their knowledge.
Artist Profile: AJ Yi ’25-’26’s Journey from Classical Music to Bridging Gaps Between Theater Score and Script
Although Yi and their classmates had a communal love for “Hamilton,” they had no idea what being involved in a musical was like.
‘A Sherlock Carol’ Review: A Masterfully Produced Christmas Dramedy
The result of this 19th-century mashup may be just what audiences need this holiday season.
Artist Profile: Olivia F. Data ’26 and Preston C. Bushnell ’26 on ‘Get a Clue’ and Penning Original Musicals
It doesn’t take a detective to figure out that this powerhouse roommate duo is not a one-hit wonder. "This isn't our first rodeo,” said Data.
‘Lizard Boy’ Review: A Hearty Attempt that Can’t Tip the Scales
For all the material’s faults, the cast does a terrific job performing it.
‘Get A Clue’ Preview: A Brand New Whodunnit
Audience members will feel as though they’re investigating the mystery themselves, questioning their own suspicions with each new revelation.
‘The Pirates of Penzance’ Preview: A Tale Filled With Love, Laughs, and Shenanigans
“It’s just an absolute, magical time. It’s irreverent, it’s hilarious, it’s often slapstick at moments,” said Jack R. Damon ’28, the show’s music director.
Is Broadway Back? The Question Haunting the 2025-26 Season
Broadway producers are struggling as much as ever with the balance between art and commerce as they fumble their way towards a formula for success.
‘Merrily We Roll Along’ Review: A Dazzling Reminder to Follow Your Dreams
After seeing “Merrily We Roll Along,” audiences never would have guessed that this show by Stephen Sondheim and George Furth infamously flopped in 1981.
‘The Addams Family’ Review: A Grave Success
“The Addams Family” proved that sometimes a little morbidity — and a whole lot of musical talent — can breathe new life into the most macabre family on stage.
The Power of the Music of the Night: The Spookiest, Eeriest, and Most Hair-Raising Songs from Broadway
From Audrey's screams as she is devoured, to the Phantom’s soft but seductive tones, these are sure to set your hair on edge.
‘Our Town’ Review: Radiance Found in Simplicity
Lyric Stage Boston stole hearts with its modern yet deferential revitalization of the timeless work, directed by Courtney O’Connor.
‘MACBETH’ Review: Sparse Staging Becomes a Burden in Mixed Triumph
While the restrained staging invited intimacy and allowed the supporting cast’s arias to shine, the production often faltered under its own minimalism.
‘300 Paintings’ Review: The Most Innovative Live Performance You’ll See This Year
Kissajukian’s humor does not trivialize the weight of his illness, but instead familiarizes, endears, and humanizes someone living with bipolar disorder.
‘Comedy is Not the End Goal’: Sam Kissajukian Embraces the Interdisciplinary in ‘300 Paintings’
"Comedy is a great way to create accessibility — if you can keep people laughing, it stops their defense mechanisms from going up," Kissajukian said.
‘Sardines (a comedy about death)’ Review: A Not So Grim Reaper at The Huntington
There is no extraordinary revelation about death at the end of "Sardines," but that may be its most realistic revelation altogether.
‘Primary Trust’ Review: A Looking Glass Etched with Trauma
When Kenneth (David Castillo), a seemingly mature, middle-aged man, walks onstage and starts stuttering about his life, one can’t help but feel a strange, tender attachment to him.
‘The Hills of California’ Review: Set Up for Success but Missing the Mark
As rich in content and concept as “The Hills of California” may be, the acting occasionally falls flat, missing some of the complexity and humanity that is so central to the play.
‘Passengers’ Review: Reaching New Heights but Lacking Depth
“Passengers” at the American Repertory Theater provides thrills. Unfortunately, the story fails to match those heights.
Harvard Theater: Fall 2025 Season Preview
Check out this round-up of campus theater productions running in Fall 2025!
‘The Light in the Piazza’ Review: Love is Blonde
Even if the show doesn’t live up to auditory expectations, “The Light in the Piazza” is a feast for the eyes.
Artist Profile: The Stage Managing Duo of Em N. Barnes ’25 and Liz A. Resner ’25
The challenges of student theater and the opportunities provided to learn the ropes of theatrical productions are part of why Harvard theater is “so special.”
The Huntington Theatre and Trident Booksellers Host Curtain Call Broadway Trivia
The event presented attendees with seven fun rounds of Broadway-themed quiz questions, as teams of up to six members battled for Broadway glory.
‘Songs for a New World’ Review: A Collection of Pivotal Moments in the Timeless Search for Self Discovery
Would you jump off a ledge overlooking Fifth Avenue if your husband did not love you? This is just one of many plotlines in “Songs for a New World.”