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Crimson staff writer

Emerson J. Monks

Latest Articles

Cover image for How Olivia Rodrigo Drove Right Under Sabrina Carpenter’s ‘Skin’
Arts

How Olivia Rodrigo Drove Right Under Sabrina Carpenter’s ‘Skin’

By Emerson J. Monks  • 

"Skin" is as empty and immature as its premise, which is its real problem. Rather than attempting to be a song of any real worth, the song targets a teenage girl for her success.


Cover image for The Bizarre Disembodiment of ‘Aporia’
Arts

The Bizarre Disembodiment of ‘Aporia’

By Emerson J. Monks  • 

“Aporia” thus follows in the footsteps of many of Stevens’s albums, which are never of poor quality, per se. The album simply lacks depth. Rather than eliciting a negative response, it is much more likely not to receive any at all.


Cover image for ‘Making the Cut’ Hasn’t Made the Cut — Yet
Arts

‘Making the Cut’ Hasn’t Made the Cut — Yet

By Emerson J. Monks  • 

The problem at the heart of “Making the Cut" is that even the judges are far more interesting and dramatic than the competitors.


Cover image for How I’m Feeling About ‘~how i’m feeling~’
Arts

How I’m Feeling About ‘~how i’m feeling~’

By Emerson J. Monks  • 

“~how i’m feeling~” is repetitive, and at times mildly trite, but it also has moments of true depth.


Cover image for ‘Something That May Shock and Discredit You’ Is Both Shocking and Creditable
Arts

‘Something That May Shock and Discredit You’ Is Both Shocking and Creditable

By Emerson J. Monks  • 

Ortberg thrives in a codependent web: narratives around his religion are interwoven with those surrounding his transition, and his writing is illuminated by both.


Cover image for Looking Back at Wes Anderson’s Films
Arts

Looking Back at Wes Anderson’s Films

By Emerson J. Monks  • 

Anderson specializes in films that have not merely strayed off the beaten path, but rather have taken a left-turn into the ocean.


Cover image for Career Retrospective: Zendaya’s Transition from Disney to Dystopia
Arts

Career Retrospective: Zendaya’s Transition from Disney to Dystopia

By Emerson J. Monks  • 

If anything, the slight overcorrection brought about by “Euphoria” is less a sudden left turn into raunchy gravitas than it is into layered, textured material.


Cover image for ‘F*ck Your Diet’ Uses Levity to Talk About the Difficult Things
Arts

‘F*ck Your Diet’ Uses Levity to Talk About the Difficult Things

By Emerson J. Monks  • 

Most powerful is how Hilliard speaks about self-acceptance and the love of her own body.


Cover image for Taylor Swift’s ‘Beautiful Ghosts’ Lacks Beauty
Arts

Taylor Swift’s ‘Beautiful Ghosts’ Lacks Beauty

By Emerson J. Monks  • 

“Beautiful Ghosts” has some substance, at least.


Cover image for Erin Morgenstern Returns to Brookline Booksmith To Promote ‘The Starless Sea’
Arts

Erin Morgenstern Returns to Brookline Booksmith To Promote ‘The Starless Sea’

By Emerson J. Monks  • 

Eight years after the publication of “The Night Circus,” Erin Morgenstern returns to the spotlight to herald the release of her second novel, “The Starless Sea.”

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