It’s a sad fact that the Arts movies section has a poor track record when it comes to recommendations. Just last issue, in the “Viewers Might Also Enjoy” box, we dubiously claimed that those who liked “Twilight: Breaking Dawn” would also be into “The Lizzie McGuire Movie.”

“Moneyball” is the quintessential anti-sports movie. It is a baseball film in which the actual game barely features, and the players themselves are given mere bit parts in their own story.

Too often, we forget that freedom of speech is largely about silence. The dignity of discourse in America stems not merely from the right of each individual to speak freely, but from those who might vehemently disagree making space for that person to express themselves.

Goldstone’s retraction allows us to reclaim the missed opportunity of his mandate, and ask the hard questions about appropriate wartime conduct that have so far been sidestepped in favor of political posturing.

The ambitious series was originally developed by the History Channel—its most expensive program to date—only to be canceled after completion due to outcry from friends, relatives, and former aides of the late president.

Kugel’s meditation on religion is a deeply human one—part scholarship, part personal confession.

Blogs tend to perform functions already served by the course, but with the added hassle of unnecessary technology.

The success of “The Social Network” has brought to light a completely underexploited niche in popular film: the Harvard drama.

Clint Eastwood’s “Hereafter” is a harsh film. In almost every frame, there is pain, crowding around the edges and waiting to reenter the scene even during the movie’s brief romantic respites.

“Toy Story 3” is unmasked as a film that uses the conventions of children’s cinema to ponder adult questions, where the answers and characters do not fall into easily distinguishable boxes.