Andrew R. Chow
Staff writer Andrew R. Chow spent a weekend at the festival, braving the weather to catch acts such as Kings of Leon, Azealia Banks, Kendrick Lamar, and—of course—Kanye West.
The June 7-9 festival on Randall’s Island off Manhattan features an absolutely stacked lineup headlined by Kanye West, Guns N’ Roses, and Kings of Leon. Crimson Arts will run full coverage of the event. Here are five reasons why you should attend, too.
You've probably heard that Tyga is misogynistic. This is true. He is also vacuous, talentless, and devoid of personality. His latest album, "Hotel California," reflects how little he has to rap about, and how bad he is at doing it.
Marsalis has delivered three lectures at Harvard over the last two years as part of the university’s ongoing effort to integrate music and art into campus life.
Alexander said he will continue to perform—he is currently touring the country and giving stand-up comedy performances, and he hinted that he will return to Broadway next year. Though Alexander may be defined by George Costanza, his performances on Thursday show that his talents extend far beyond that iconic role.
The skin-tight t-shirts and hair gel are long gone, replaced by bow ties and a slickly combed hairstyle. On his latest effort, “The 20/20 Experience,” the music matches the look and attitude. The hooks may not be as catchy as we’re used to, but the album as a whole is a sprawling, ambitious effort.
Seniors, here's one more reason why Commencement will be awesome: the first ever Boston Calling music festival will take place over Memorial Day Weekend (May 25 and 26). Mainstream juggernauts fun., fresh off a double win at the Grammys, headline a roster of talented indie acts. With The Shins and The National also at the top of the bill and local Boston food trucks scheduled to line the venue at City Hall Plaza, Boston Calling is set to be a memorable event.
"Identity Thief" is a film of questionable quality and equally questionable content, as unfunny tropes are used to deliver dubious messages.
February 22-24, February 28-March 2
Let's face it—the Grammys are as much about the performances as they are about the awards. As such, there are the "official" winners, and then there are the real winners—and losers. The Arts blog has highlighted three of each—those whose presence and performance demanded respect, and those who fell flat.
Local Berklee jazz group to perform celebration of Hendrix's music at the Berklee Performance Center.
On A$AP Rocky's "1 Train," the ninth song on his new album "Long.Live.A$AP," the rising Harlem star leads a staggering showcase of seven young and hungry rappers.
While Beyoncé has belted her way to the center, her sister Solange has drifted to the edges. She joins a steadily growing R&B fringe—Jessie Ware, How to Dress Well, The Weeknd—that revels in synthetic sounds and opaque emotions.
Macklemore’s career as a mainstream rapper was aided by the release of “Thrift Shop,” his hit single. His rise to fame may signal the birth of a new and original rapper for some. For others, his work may be nothing more than cleverly-disguised tedium.
Their arrangements showed utmost taste and virtuosity, but the music lacked the frenzied intensity that characterized early jazz and even the work of Corea’s early career.