Andrew R. Chow
The Stones were on my mind as I sat on my friend’s roof in late senior year, discussing our grand plans for the summer. Several of my friends wanted to make the customary backpack trip through Europe, but I wanted to go south. I wanted to escape the bleak, cold and painted black cities of the North to take in the fresh air.
By the end of the night, MUTEMATH had ignited an initially listless crowd and asserted its expertise in fusing blues into earth-tone alternative rock.
Is "DoYaThing" an energetic anthem or a tepid emulation?
The album is an impressive display of Berklee talent, as each artist completely restyles their two chosen songs without losing the ingenuity of the original compositions.
Boston isn’t known for its rap scene. While Marky Mark and Sam Adams are examples of rappers who have made ...
Gallagher’s first solo project, is an attempt to reclaim his past glory. And while it is expertly written and sung, its lacks the relevance needed to help put Gallagher into the rock pantheon he was supposed to have inhabited by now. Simply put, this project is 15 years too late.
Who is Roberto Bolaño?
One suspects that a Morgan Freeman–narrated documentary about dolphins in their natural habitats would have felt less forced and proven much more compelling.
The coexistence of music players from every era directs debates about the function and meaning of music today.
There’s no shortage of hits, but with no clear frontrunner, some of our writers make a case for their personal Summer Jams—the tracks they've been tanning to for the past two months.
Kyle J. Dancewicz ’11 may not be a football player, but—according to friend and artistic collaborator Brandon J. Ortiz ’12—he is a ‘triple threat’ in a different sense: he excels in singing, acting, and dancing.
Adel Omar Sherif, the deputy chief justice of Egypt’s highest court, expressed concern yesterday at a Harvard Law School panel about the presence of the Egyptian army in the country’s constitutional proceedings.
Dale Chihuly's new blown-glass exhibit at the MFA captures the vivid energy and exuberance of spring.
Robertson’s first release in 13 years is a lilting retrospective that recalls both the good and the bad of his long career, and, while the album breaks no new ground, it easily displays his prowess as a songwriter.
Choreographer, performer, and director Frederick “Ricky” D. Kuperman ’11 is a psychology concentrator in Lowell House. He has choreographed for numerous organizations on campus, including the Harvard Ballet Company and the Harvard-Radcliffe Dramatic Club.