On April 25, the Lavietes Pavilion transformed into the runway for fashion-dance show Eleganza. A high-energy production, Eleganza seeks to present the three pillars of the organization: fashion, charity, and diversity.
Mark J. Mauriello '15 speaks with The Crimson about the process of writing and directing his play "OSCAR at The Crown and the love that dare not speak its name," which premieres at the Oberon on April 15.
“The Last Five Years,” which ran April 2-5 at the Adams Pool Theater, transcended the potential challenges of its script to create a production of masterful acting, staging, and music that reflected the trials of a disconnected love.
Conducted with the members of the Harvard-Radcliffe Orchestra and focused on the composer’s Piano Concerto No. 24 in C minor, the performance was one in a series of events at Harvard with conductor Sir John Eliot Gardiner, the music department’s inaugural Christoph Wolff Distinguished Visiting Scholar for the year.
Zambra's "My Documents" shows his deftness as a miniaturist. He knows when to employ simplicity and when to highlight certain details, and he understands how to grant individual stories their own flavor while maintaining their connectivity.
For the characters, the tropical resort slowly morphs into a poor vacation choice, and similarly “Mermaids in Paradise” transports the reader away from the originally promised literary paradise to a confusing land of overdone antics and lost potential.
“World Peace” is almost one-dimensional in its charged character. The result is an unrelenting odyssey into the self-assertive character that is Morrissey—a world that while initially fascinating becomes exhausting.