“‘Love Story’ raises questions around how and where our attention is focused.” The exhibit follows the stories of six refugees, first as they are portrayed by Moore and Baldwin and then through their own voices. “What kind of stories are we willing to hear? What kind of stories move us?” Breitz’s website demands. “Why is it that the same audiences that are driven to tears by fictional blockbusters remain affectless in the face of actual human suffering?”
The Feb. 8 and 9 “Migration and the Humanities” conference, organized by the Mahindra Humanities Center, set out to illustrate a point: that the humanities are a powerful way of understanding the modern migratory experience.
Everyone in “Heather” is governed by the same primality; everyone pulsates with the same hunger. The only remaining question is which hunger will prove stronger—and, as Weiner concludes his strange and compelling debut, the ending feels exactly as it should be. Weiner’s answer is definitive. The result is “Heather, the Totality,” in its totality: a noir bildungsroman with a statement to make about class, objectification, and what it means to grow up.
It’s a good home for art because Harvard has been the center of interest in Old Master drawings since the early 20th century in the United States. There are great scholars and teachers and curators—it’s one of the major places in the world for Old Master drawings.