Film


'Cars 2' Is a Failure of Imagination

In “Cars 2,” it seems the punchline of every joke and plot point could be replaced with an all-too-obvious “Look! It’s our world…only all cars!” For a studio that has made some of the best films of any medium, that lack of emotional engagement seems a wrong turn.


Senior Portrait: Katherine M. Tygielski '11

Filmmaker Katherine M. Tygielski '11 talks about her experiences filming in Nepal.


DisneyNature's 'African Cats' a Stunning Bore

“African Cats” may have been better off as a 30-minute IMAX film to be displayed in science museums instead of being inflated into a dragging full-length feature that desperately reaches for an elusive theme.


Saoirse Ronan Embraces the Eccentric

With her cheerful tone and soft Irish accent, Saoirse—which means ‘freedom’ in Irish and is pronounced ‘Sear-shuh’—is anything but intimidating. She expresses an acute artistic sensibility and an impressively professional demeanor.


‘The Conspirator’ is a Compelling Allegory

Fans of mile-long mutton chops and bushy neckbeards will definitely not be disappointed by this film. Indeed, if there were an Oscar for Best Facial Hair, “The Conspirator” would win hands down.


Frederick Aiken (James McAvoy) is mentored by Senator Reverdy Johnson (Tom Wilkinson) in “The Conspirator.”


Murdered Actor and Activist Recalled

“Arna’s Children”—shown in Sever last Monday as a memorial to its maker, Juliano Mer-Khamis, who was shot by Palestinian militants on April 4 in Jenin—is a documentary with few adornments. The film’s power comes instead from it being relentlessly true.


The screening of “Arna’s Children” was preceded by a musical performance and recollections of Mer-Khamis by friends.


Cast of 'The Wire' Visits Harvard

The Crimson sits down with two cast members from HBO's The Wire, Andre Royo and Jamie Hector, to learn about their experience on the show, thoughts on its educational influence and more.


Hysterical ‘Arthur’ Antics Overcome Weaknesses

It is the absurdity of Brand’s actions, Mirren’s wry humor, and a sparkling set of supporting performances that enable “Arthur” to coalesce into a delightful comedy—even if it entirely lacks substantive moral value.


Russell Brand plays Arthur, a juvenile playboy and the protagonist of Jason Winer’s remake of the 1981 classic, “Arthur.”


Gunn Aims to Discomfort His Audience

Director James Gunn enjoyed making “Super” as a response to the traditionally clear-cut morals and lack of consequential reality in the superhero genre.


‘Hanna’ an Artful Action Thriller

Although rife with action sequences and chase scenes that support a pulse-quickening plot, at its heart “Hanna” is a philosophical musing on the perspective-altering power of life’s inherent beauty.


Saoirse Ronan plays Hanna, a girl who confronts the world after being raised as an assassin by her fugitive father.


The Bashful Oscar Nominee

For such an accomplished filmmaker, Villeneuve—the writer and director of Oscar-nominated "Incendies"—is remarkably self-effacing.


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