Film
Oscar-Nominated Short Films Preview
The Institute of Contemporary Art will be screening a series of short films nominated for the 82nd Academy Awards, which will be held on March 7.
The Scenic Route
In the summer of 2009, film student Alexandra E. Zimbler ’10 visited her grandmother in Saint-Malo, Brittany, to interview her ...
Brazilian Migrants Start Anew in Japan
“They should show this to everyone going to Japan,” said Charles D. Teague ’74 as he walked out of the screening of “From Brazil to Japan,” a new documentary directed by Aaron Litvin ’04 and Ana Paula Hirano Litvin, focusing on the new trend of Brazilian immigration to Japan.
Hot Times with ‘Tub’ Travelers
“You have to be subtle with the comedy in movies,” says Craig Robinson, who plays warehouse manager Darryl on NBC’s “The Office” and has starred in films such as “Knocked Up.”
Shutter Island
Martin Scorsese has made a habit of crafting films that employ genre tropes to illuminate the human condition.
In Martin Scorsese’s “Shutter Island,” Leonardo DiCaprio plays a federal marshal sent to a penal insane asylum situated on an isolated island off the coast of Massachusetts to investigate the disappearance of a resident. DiCaprio’s character is plagued by a troubled personal and professional past.
Harvard Shorts—Your Three Minutes to Fame
Harvard what? Harvard Shorts Film Festival, the first of its kind at Harvard, is a university-wide filmmaking contest that will feature the best three-minute digital movies made by anyone in the Harvard community. If walking down the crimson carpet and enjoying celebrity status aren’t enough incentives, winners can also win prizes of up to $750.
St. John of Las Vegas
What are the similarities between Dante Alighieri and Steve Buscemi? First time writer and director Hue Rhodes may be the only one. Loosely based on Dante’s “Inferno,” “Saint John of Las Vegas” follows a reformed gambler’s trip to his own personal “hell” as he is led on his first investigation of insurance fraud.
‘Food at 24 Frames Per Second’ Satisfies a Cinematic Appetite
In the opening scene of “Tampopo,” a man dressed in a white tuxedo and seated in a theater looks into the camera and says, “So you’re at a movie, too. What are you eating?”
Tambellini Discusses Blackness at HFA
Painting, poetry, film, sculpture, humanitarianism, experimentalism and curiosity about the black, curving infinity that lies beyond—these concerns underpin the life and work of Aldo Tambellini.
Red Riding Trilogy
The best word to describe “Red Riding Trilogy” is “epic.” Clocking in at five hours (not including intermissions) the trilogy is emotional, stimulating, beautiful, and haunting.
Valentine's Day
Ladies, get your red wine and ice-cream ready for the perfect blend of break-ups, make-ups, awkward moments, sex, new love, Queen Latifah, old love, Abercrombie models, tears, and Ashton Kutcher. “Valentine’s Day” may not live up to the high-points of other ensemble romantic comedies such as “Love, Actually” or “He’s Just Not that Into You,” it will likely please you in a way that only Leonidas and Jake Sully can please my manly, manly soul.
North Face
In this film, the mountain represents everything that is impossible and everything that man fears.
A 'Frame by Frame' History
“Animation can explain whatever the mind of man can conceive,” said Walt Disney of the cinematographic field he helped pioneer. Since Disney popularized animation however, its creative potential has been largely underestimated and the genre has often been relegated to essentially childish themes.
'New Moon' Panel Unveils CGI Tricks
Many fans of the popular “Twilight” saga and its film franchise would like to maintain the illusion that the Cullens’ sparkling diamond-like skin is merely an unfortunate sun-induced vampire affliction, or that Taylor Lautner’s transformation into a werewolf in the film version of “New Moon” is a manifestation of a Quilete tribe member’s coming-of-age in a troubled, vampire-ridden world.
'Frozen' Director Adam Green Unthaws
As Green says, if you are going to see “Frozen,” be ready for a “psychological mind-fuck of a movie.”