“Ginger & Rosa” prevails upon itself to depict the incredible tension of Cold War-era London, but the film struggles due to a weak storyline and poor character development. Fanning’s incredible acting saves what is otherwise a heavy-handed and overly dramatic film.
“It’s fourth of July, nighttime,” says Boyd, describing the dramatic climax of his play. “There will be fireworks exploding off in the distance, throwing colors across the set in these big dramatic washes.” The action on stage will be equally volatile. The patriarch, James (Joshua G. Wilson ’13), reveals he wants to sell the family farm, and his wife (Mallory J. Weiss ’15), and daughter (Amy Q. Friedman ’14, a Crimson editor) oppose his decision.
It's hard to say for sure which house has won Christmas this year. Eliot and Pfoho wowed judges with draped Christmas lights, and Quincy proved to be a real charmer with hand-cut paper snowflakes hanging from the ceiling and a blow-up penguin near the entrance. Currier put up a modest tree, dwarfed perhaps by its massive rooted mascot. (One hesitates to say that Currier's poor Christmas decoration performance is purposefully protesting the deaths of so many of its pine-y brethren.) As part of our own effort to dole out the holiday cheer, Flyby's giving awards to the best houses in each category.