The graphic novel strategically uses ridiculous scenarios as a lens through which to observe a type of daily life that makes the normal feel peculiar and the peculiar feel normal. In a matter-of-fact style, DeForge imbues the book’s strange anecdotes with unexpected depth.
“Get Out” is certainly a refreshing twist on movies that address racism. The panel of white actors and actresses separate themselves from Chris, but not in the stereotypical way. He is not looked down upon, but rather is insulted by being observed and admired as some sort of trophy.