Crimson staff writer
Bryan S. Erickson
Simply put, “Guess Who’s Coming to Dinner” suffers from thematic inconsistency: from the direction to the performances and even the wardrobe, the show tries and fails to make the production simultaneously a contemporary criticism of racial dynamics in America and a unique cultural product of the ’60s.
OK Go has spent the past summer touring the United States and Canada in anticipation for their new album “Hungry Ghosts” set to be released this October. We had the chance to talk with bassist and vocalist Tim Nordwind about the group’s North American tour and their fourth studio album.
“Take Care” is a contemplative collection that, surprisingly, conveys its wisdom and insight more through the subtleties of Drake’s language than through its production.