The David Rockefeller Center for Latin American Studies awarded four Latin American photographers and journalists in their open call competition for work about the COVID-19 pandemic.
Artists and activists highlighted the role of creative expression in telling stories and fostering empathy at a webinar Monday hosted by the Harvard Graduate School of Education and Harvard University Common Spaces.
The Office for the Arts organized an exhibition called “Windows of Harvard,” installing visual artwork by 72 Harvard affiliates across campus and online.
More than 30 students, faculty, and members of the public gathered at Harvard’s Arthur M. Sackler Museum Friday to commemorate a new art installation honoring those affected by the opioid epidemic.
The ArtLab, a center for artistic research and development located on Harvard’s Allston campus, hosted a kickoff celebration Saturday morning to mark the official opening of the facility.
Brazilian artist Oscar Araripe discussed his bright and colorful collection of paintings “Flowers for Harvard” — on display in Leverett House this week — Thursday night at Leverett Library Theater.
Striving to meet Nakazato’s — and his own — high standards, Everard made more than 5,000 plates during his first six months of apprenticeship. Most were destroyed before they reached the kiln, and their clay was recycled for later use. Every piece that enters the kiln must be perfect.
“Harvard Works 2.0” is an eight-part portrait series on exhibition in the Science Center that highlights the work of Harvard's custodial and security staff.
On Nov. 14, the Harvard Art Museums welcomed contemporary artist Cameron Rowland to discuss some of the thoughts and history behind his work. Rowland is an American artist from Philadelphia currently living and working in Queens, New York. Rowland is known for his conceptual art, and given his use of found and readymade objects, some have come to consider him the 21st century version of the infamous artist Marcel Duchamp.
When painter Susan E. Miller-Havens opened the first ever artist-operated gallery in Harvard Square earlier this fall, the development and rising rents of the Square had long been on her mind. Miller-Havens, who has two works displayed in the Smithsonian National Portrait Gallery, has lived in Cambridge since 1968. Two years ago, she came face to face with a redevelopment project that made her plans for the near future inextricable from the state of the Square. Strolling among dozens of her paintings arranged salon-style at 9 JFK Street, Miller-Havens spoke to The Harvard Crimson about her gallery’s role in the Square and the challenges of her profession.
Even for non-contemporary art enthusiasts, this exhibit is a must-see. Though the exhibit itself is not large, it leaves a powerful impression on the viewer that will last well beyond the walls of the museum. “Common Threads: Weaving Stories Across Time” truly lives up to its name, beautifully demonstrating how art can break barriers and connect people across time and across cultures.