Crimson staff writer
Amelia Roth-Dishy
Latest Content
A Comprehensive Harvard Square Restaurant Guide
Tired of cooking yourself the same kind of meals night after night? Hoping to experience some variety that your dining hall can’t offer? Read on for the definite guide to a perfect outing.
From Sundance: ‘Every Day in Kaimukī’: A Meditative Love Letter to a Neighborhood and its Community
The unassuming film pulses with a quiet, ruminative love for "Honolulu, to Kaimukī, and to the AAPI community" and the stories they carry.
From Sundance: ‘Honk For Jesus, Save Your Soul’ Worth Pulling Over For
Writer and director Adamma Ebo’s bleak, biting satire is a kinetic and often riotous critique of the socioeconomic rituals and artifices surrounding organized religion.
From Sundance: A Poignant, Sex-Positive Actor’s Showcase in “Good Luck to You, Leo Grande”
The delicate, heartfelt film is steadfastly clear-eyed in its message and empathetic in its exploration of sexual self-empowerment at all ages.
From Sundance: 'Am I OK?' is a Delightful Queer Coming-of-Age-ish Dramedy
Three big queer cheers for “Am I Ok?”, a poignant coming-of-age-ish dramedy that knows its wheelhouse, commits to form, and hits all the right beats.
From Sundance: Elizabeth Banks Shines In the Lively Yet Flawed ‘Call Jane’
A fictionalized account of the real Chicago-area underground abortion network called the Jane Collective, the film makes for an entertaining, impassioned piece of filmmaking.
From Sundance: “892” Is Brilliant and Unflinching
Director Abi Damaris Corbin brings the true story of an almost Shakespearean tragedy to life onscreen with quietly effective acting and tremendous camera work.
Harvard PhD Evvie Jagoda: A ‘Survivor’ Season 41 Fan Favorite
The Crimson caught up with Jagoda last month after their elimination and discussed gameplay, the history of queer representation on the show, going from Harvard to “Survivor,” turtle migrations, and more.
Arts Vanity: Help! A Pitch About 'Glee' Took Over My Crimson Identity
I fear that my legacy in the eyes of the 151s, the 150s, and even, woefully, the beloved incoming execs of the 149th Guard has become inextricable from one horrible, wonderful television series about a high school show choir in Ohio.
Single Review: ‘Working for the Knife’ Marks a Sharp Point in Mitski’s Career
Mitski is nothing if not a master of amplification through recursion, of making us sing along to the suffocating passage of time.