While the premiere aptly details the various challenges the characters must face before the series ends, there is now a levity that feels misplaced in what should be the darkest season.
Cole Sprouse saw the merit in taking advantage of Millenials’ nostalgia, rebranding himself from the little boy running around The Tipton Hotel to the brooding high school “weirdo.”
This novel could have offered so much, but failed to deliver.
With so much promise, “The Clockmaker’s Daughter” failed to live up to expectations, instead delivering a story that was not worth the time to read.
Unsheltered” falters only in moments where its message is perhaps too clear.
If you’ve ever taken a humanities course, there’s almost always one kid in your section that not only believes his taste is better than yours, but wants you to know it too.
Zusak fans eagerly awaiting another hard-hitting historical fiction novel should be prepared to be disappointed by his newest novel.
Park’s prose twists the mundane into different forms, shedding new light on themes that are pervasive throughout literature.
Though at times chilling, “Baby Teeth” could have been so much more.
With a little more character development, Tyler’s newest novel could have become more than just a pleasant summer read.
Emily Giffin’s newest novel, “All We Ever Wanted,” explores relationships between parents and children who are both survivors and perpetrators of sexual violence and harassment.
Ruth Ware succeeds in creating a creepy and gothic atmosphere in her latest novel, “The Death of Mrs. Westaway.”
Aveyard has provided a satisfying ending for her thought-provoking series.
The prose, just barely, drives along the story even when there is very little story to tell.
Anthony Horowitz isn’t afraid to change up the classic mystery, and “The Word Is Murder” is no exception.
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