Crimson staff writer
Kalos K. Chu
I present to you the Masthead of the 147th Guard of Arts Board of The Harvard Crimson as characters from “Parks and Recreation.”
“Soul” offers a thesis on the meaning of human life — a difficult question to answer in a 200-page philosophy dissertation, much less a 104-minute animated film. And it does so with all the beauty, detail, and imagination that audiences have come to expect from Pixar.
I think a lot about how easily tempted I was. A letter, an envelope, a particularly melodramatic delivery system, and all arguments, statistics, and Crimson exposés vanished from memory. I was a little disappointed in myself, but mostly, I was confused. I consider myself a relatively secure person. I like my life here, sans final clubs. How could I hate everything about what they are and what they represent, yet still be tempted?
But sometimes I wonder, if I’d carried out my summer as planned, if I’d done my internship and went back to Harvard, would I ever have had these thoughts? Would I have realized that journalism wasn’t the field for me? Would I have committed to changing concentrations? Would I have mustered the gusto to commit to an even less employable career path? I can’t help but think the answer would be no.
Now, in the most objective opinion of this reviewer (for whom, in the spirit of full transparency, this will be the third “Frozen 2”-related piece he’s written for The Crimson), this is misguided. Animation is serious business.