Jaden S. Thompson
Arts Chair Jaden S. Thompson can be reached at firstname.lastname@example.org
Collier's concerts are not just about showing off his wide-ranging talents, but about fostering meaningful engagement with his audience.
With Amir-Ebrahimi bold and arresting performance at the foreground, Abassi’s film is an unflinchingly grim depiction of the toll of patriarchal violence.
Denis’s latest effort is commendable for its exciting pace and distinctively sultry mood, but the romance at the core of the film is not strong enough to fully draw audiences into the muddled world of its underwritten protagonists.
Writer-directors Lise Akoka and Romane Gueret craft a self-aware film that features sensitive performances, a touching emotional arc, and compelling commentary on the social responsibilities of filmmakers.
Though oftentimes over-the-top and surface level in its critique, “Syk Pike” is nevertheless a witty examination of narcissism, unabashedly holding up a mirror to humanity’s worst tendencies.
Arnaud Desplechin’s latest film begins by thrusting viewers right in the middle of a hostile, tragic confrontation and maintains approximately the same level of melodrama for the entirety of its runtime.
The film unravels into a complicated portrait of friendship and grief, illustrating with devastating poignancy how love and loss are inextricably linked.
Charlotte Well's feature film debut is a deeply felt examination of familial connection, with all of its joys and complications.
Chie Hayakawa's latest paints a somber picture of old age, with a few pinpoints of hope interspersed throughout a slowly paced but artfully shot film.