Crimson staff writer
Harper R. Oreck
AMC’s newest dramedy series, “Kevin Can F*** Himself,” made waves over the summer with its exploration of the classic sitcom format. The Harvard Crimson spoke to creator, showrunner and executive producer Valerie Armstrong.
For those who don’t usually watch talk shows, “Ziwe” will not only be a worthwhile watch, but one that flies by, making for great binge-watching when the episodes are all out.
Talking to Chen, it was hard not to notice the similarities she shares with the fictional Krista — both are upbeat, bubbly, and deeply invested in the power and craft of acting.
Ultimately, “Crimson Peak” is working within a distinct genre: a contemporary fairy tale told through a horror lens, with equal parts Gothic melodrama and gruesome violence.
“Promising Young Woman” failed to deliver on all counts — offering only a reductive and tonally incoherent narrative with a harmful message around violence, survival and justice.
Arts Vanity: Why 'Jennifer's Body' Should be in the American Film Institute's Top 100 Movies of the Last 100 Years
Sure, “Citizen Kane” is a perfectly good movie. Fine. But, as Jennifer would say, “move-on-dot-org, Needy, it’s over.” It’s “Jennifer’s Body”’s turn now.
While at times the litany of characters can be hard to track, “I Hate Suzie” is worth pausing for, even if it takes a moment to get your bearings.