Crimson staff writer
Harper R. Oreck
As she brought her propulsive, haunting indie-pop sound to audiences around the country on her first headlining tour this fall, Jar drew inspiration from the surreal beauty of Cirque du Soleil shows, with their synthesis of wild visuals, music, athleticism, and dance.
While suspicion shifts to several different characters over the course of the film, their motives are rarely surprising, and the beats of the mystery feel flat as the finale nears. The film shines more in its humor than its suspense.
From Cannes: 'Three Thousand Years of Longing' Is 108 Minutes of Rollicking Entertainment Without A Clear Point
“Three Thousand Years” is one of the most highly-watchable films of the festival, sure to be a crowd-pleaser in theaters. But its palatability comes at a cost.
The film becomes alienatingly hard to watch as it devolves into a bizarre musical about an unlikeable man terrorizing women on the street.
Does the blood spilled behind two people bind them together or doom them to unhappiness? Can two people conditioned by violent obsessions ever turn away from them, or have they been indelibly shaped?
On the cinematic screen, where audiences can experience only the visual echoes of pain, Cronenberg orchestrates grotesque injuries and shocking transformations in the service of art.
The affecting drama is a triumph of communal filmmaking that highlights the perspectives of Native creatives, offering a fluid coming-of-age story that resists the narrative urge to insert artificial endings.
Beyond its portrayal of wealth, the film’s more specific critique of exploitative beauty culture feels unique for the contemporary cinematic landscape.
Where its premise might suggest a supernatural thriller, the film instead unravels as a vivid and emotive slice-of-life movie, beautifully tracking the blossoming romance between two teenagers.
The film offers an engaging portrait of the everyday dangers and bureaucratic infighting in an intelligence agency servicing the Korean military dictatorship, but eventually drags under the weight of its countless plot twists.