‘Kevin Can F*** Himself’: An Interview With Creator Valerie Armstrong

AMC’s newest dramedy series, “Kevin Can F*** Himself,” made waves over the summer with its exploration of the classic sitcom format. The Harvard Crimson spoke to creator, showrunner and executive producer Valerie Armstrong.

‘Ziwe’ Premiere Review: Give Ziwe All The Talk Shows

For those who don’t usually watch talk shows, “Ziwe” will not only be a worthwhile watch, but one that flies by, making for great binge-watching when the episodes are all out.

Shirley Chen ‘22 Takes the Lead in Indie Drama “Beast Beast”

Talking to Chen, it was hard not to notice the similarities she shares with the fictional Krista — both are upbeat, bubbly, and deeply invested in the power and craft of acting.

‘Crimson Peak’ Retrospective: Del Toro’s Hallmark Fantasy Comes to Netflix

Ultimately, “Crimson Peak” is working within a distinct genre: a contemporary fairy tale told through a horror lens, with equal parts Gothic melodrama and gruesome violence.

‘Promising Young Woman’ Review: Hardly a Feminist Pièce de Résistance

“Promising Young Woman” failed to deliver on all counts — offering only a reductive and tonally incoherent narrative with a harmful message around violence, survival and justice.

Hidden Gems Series: ‘Raised by Wolves’

It’s “Alien” meets “Westworld” meets “Battlestar Galactica,” with a hint of “Game of Thrones”

Arts Vanity: Why 'Jennifer's Body' Should be in the American Film Institute's Top 100 Movies of the Last 100 Years

Sure, “Citizen Kane” is a perfectly good movie. Fine. But, as Jennifer would say, “move-on-dot-org, Needy, it’s over.” It’s “Jennifer’s Body”’s turn now.

Portrait of an Artist: Chris Salvaterra '90

Chris Salvaterra ‘90, who got his start in film production after studying English at Harvard College, now oversees many of HBO's projects as Vice President for Drama Series, crafting the channel’s slate of shows.

Harper Vanity Photo

'I Hate Suzie': A Grim, Chaotic (And Hilarious) Takedown of Celebrity Culture

While at times the litany of characters can be hard to track, “I Hate Suzie” is worth pausing for, even if it takes a moment to get your bearings.