Joseph Gordon-Levitt received Hasty Pudding’s Man of the Year title at a ludicrous roast, teasing the crowd with improv performances and discussing life as an entertainer at the following press conference.
It airs on Disney XD, but this is not just a children’s show.
Festival closing act Alabama Shakes proved itself to be a veritable force of nature late Sunday evening, taking the stage at Boston Calling as a historic supermoon eclipse combination reached its peak in the sky above.
The Crimson Arts Board reviews the sixth edition of Boston Calling, which has over the past three years become a staple of the East Coast live music scene.
Of Monsters and Men delivered a rousing performance on the slow opening night of Boston Calling.
The Crimson Arts board provides a breakdown of the biggest acts at this fall's Boston Calling music festival—from Of Monsters and Men to The Avett Brothers.
"Black Mass" brings Whitey Bulger back to prominence, but fails to rise to the standard of prior portrayals.
In our continuing coverage of Cannes, Alan Xie reviews Justin Kurzel's new adaptation of Shakespeare's immortal "Macbeth."
In our continuing coverage of Cannes, Alan Xie reviews Roberto Minervini's "The Other Side," a film devoted to showing the lives led beyond the margins of mainstream American society in rural Louisiana.
In a point/counterpoint review from Cannes, Tianxing Lan and Alan Xie debate the merits of "Marguerite & Julien."
In our continuing coverage from Cannes, Alan Xie reviews "Chronic," a touching film about the life of a professional caretaker.
Marion Cotillard, director Justin Kerzel, Michael Fassbender, and producer Iain Canning attend the press conference for "Macbeth" at the Cannes Film Festival.
In our continuing coverage of Cannes, Alan Xie reviews "O Piseu" (English "Office"), a horrifying South Korean crime drama and the debut film of director Hong Won-chan.
In our continuing coverage of Cannes, Alan Xie reviews "Louder Than Bombs," a flawed but nuanced portrait of a family in mourning.