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Contributing writer

Mason P. Sands

Latest Articles

Cover image for What’s Up with Dropout.tv? A Review of CollegeHumor’s New Venture
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What’s Up with Dropout.tv? A Review of CollegeHumor’s New Venture

By Mason P. Sands  • 

CollegeHumor seems to be trying to buck against the trend as it attempts to take its internet producers along with it by launching this new streaming venture.


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Comics Unfiltered: Massachusetts Independent Comics Expo

By Mason P. Sands  • 

At its core, the Massachusetts Independent Comics Expo is a celebration of independent comics and the freedom associated with owning your work.


Cover image for ‘Adventures in New America’ is a Masterful Blend of Societal Critique and Absurdity
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‘Adventures in New America’ is a Masterful Blend of Societal Critique and Absurdity

By Mason P. Sands  • 

“Adventures in New America” will turn heads and start conversation, not only because of the show’s embrace of the absurd but also because of its desire to make a clear social statement and explore the black identity today.


Cover image for What the Hell Happened: Banksy Shreds His Painting
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What the Hell Happened: Banksy Shreds His Painting

By Mason P. Sands  • 

Despite the hoopla surrounding the self-destruction of the piece, there doesn’t appear to be any deeper meeting.


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Roving Reporter: Harvard Student Late Night

By Mason P. Sands  • 

Since its inception in 2015, the event has proven massively popular with Harvard students from every field whether it was their first or their tenth time in the museum.


Cover image for 'A Bag of Marbles' a Worthy Addition to the Holocaust Story Tradition
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'A Bag of Marbles' a Worthy Addition to the Holocaust Story Tradition

By Mason P. Sands  • 

Ultimately, “A Bag of Marbles” highlights that even in great hardship, one can still find and enjoy times of happiness, love, and lightheartedness, a testament to Jewish resilience during the Holocaust.


Cover image for ‘The Crossing’ Makes a Lot of Promises, But With No Sign of Fulfillment
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‘The Crossing’ Makes a Lot of Promises, But With No Sign of Fulfillment

By Mason P. Sands  • 

The pilot of “The Crossing” provides a lot of questions, but it fails to define the context in which these questions exist. Moving forward, the series will need to do a lot of world-building and character development for any of its revelations to have some weight.


Cover image for From Page to Screen ‘Love, Simon’ Forgets It’s a Coming Out Story
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From Page to Screen ‘Love, Simon’ Forgets It’s a Coming Out Story

By Mason P. Sands  • 

Whereas, in “Simon vs. the Homo Sapiens Agenda,” Simon learns to accept himself with his newly realized sexuality, in “Love, Simon,” Simon learns to accept himself despite his sexuality.


Cover image for ‘Children of Blood and Bone’ Continues to Revolutionize Stories We Tell
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‘Children of Blood and Bone’ Continues to Revolutionize Stories We Tell

By Mason P. Sands  • 

Tomi Adeyemi’s “Children of Blood and Bone” is an enthralling tale that will revolutionize the perceptions of YA and fantasy literature.


Cover image for ‘Waitress’: Jovial But Generic
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‘Waitress’: Jovial But Generic

By Mason P. Sands  • 

While Tony-winning director Diane Paulus leads an entertaining show, “Waitress” is not incredibly impressive and falls short of the expectations popular buzz has given it.

Latest Media

Cover image for MICE
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MICE

By Mason P. Sands  • 
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