‘The Good Place’ Comes to Boston: Creator Michael H. Schur '97 and Actor William Jackson Harper Talk Representation in Comedy
The Crimson sat down with "The Good Place" creator Michael H. Schur and actor William Jackson Harper for a conversation on representation, philosophy, and controversial comedy.
"All You Need Is Love" is the Arts Board's second annual summer supplement.
The Cannes Film Festival attracts a number of eccentric types of journalists. Here, Crimson Cannes correspondents break them down.
Their romance, which is intended to drive the story, inevitably feels like the subplot of two friends who must soon bid farewell.
From Cannes: ‘Once Upon a Time...in Hollywood’ is Nostalgic Fun — If You Can Overlook Everything Else
25 years after he won the Palme d’Or for “Pulp Fiction,” Quentin Tarantino is back at Cannes with his most recent film, “Once Upon a Time...in Hollywood.”
Director Midi Z attempts to engage with the #MeToo movement, but relies on the sheer shock value of the abuse of power that ensues to ground the thriller.
For Bong, it’s not just the rich against the poor — it’s much more complicated, which he reveals as his film diverges from a heartfelt comedy into a gripping thriller full of vengeful violence.
From Cannes: Céline Sciamma Paints a Captivating Romance in ‘Portrait de la jeune fille en feu’ (‘Portrait of a Lady on Fire’)
Sciamma treads the fine line between subversion and historical accuracy marvelously and with a keen eye for detail, and has produced her best work yet that will surely be among this year’s prize winners.
The people love Tarantino, but Tarantino, why don’t you love us back?
Gaspar Noé’s message is far more explicit than usual, which thankfully takes away the typically harrowing experience of trying to make sense of his creations.
Willem Dafoe and Robert Pattinson come together as a bitingly funny and erratic spectacle, drunkenly singing and dancing just minutes before damning each other to death because of a sly remark.
“Little Joe” doesn’t have a climax, nor does it spiral into action — instead, it beautifully sustains its psychological horror and unfolds at the same, unassuming pace at which Little Joe takes over the laboratory.
Following SFFA Attorney’s Comments at Event, Harvard Law Students Debate Discrimination Against Asian Americans
‘Crazy Ex Girlfriend’ Creator Rachel Bloom Performs as IGP’s 2019 Player of the Year
Prevalence of Sexual Misconduct at Harvard Remains Unchanged From Four Years Ago, AAU Survey Finds
Harvard Closes a 72-Year Old Door