As pop music continues to get moodier (see: Post Malone, Billie Eilish, Drake, and counting), some people just want to have a good time.
Hits like “Primadonna” and Clean Bandit’s “Baby,” on which she is featured, were exciting to see performed live, but the highly edited, quickly changing nature imagery on the background display made little sense with her costume, dance, and overall stage.
It was utterly disgraceful how Logic could be so openly hostile with his crowd and still seek exorbitant praise.
Those aspects exist in Big Red Machine, but its unifying sonic theme is that there is no real theme, that different sounds will come together and interact in new ways.
At Boston Calling, Tame Impala’s slowly changing but still recognizable Saturday night set was nothing short of breathtaking.
The Harvard Crimson sends three writers — Allison J. Scharmann '21, Jack M. Schroeder '21, and Shruthi Venkata '22 — to cover Boston Calling Music Festival.
Not even the band could keep from nodding and dancing to their own tracks.
Mayberry’s electrifying vocals and the band’s refusal to sink into the shadows contributed to a heartfelt and impressive set.
Here are five songs to help you adjust to losing an hour of sleep.
&pizza and Milk Bar are like conjoined twins now, tied at the hip to each other’s successes. Their relationship is symbiotic.
At its core, “Vice” is a biased work.
Over a 21-song set, Barnett and her supporting band gifted those in attendance with a mastered but at times warped performance.
Ian A. Askew ’19 is a senior in Quincy House seeking a joint concentration in Theater, Dance, & Media and History & Literature. In 2017, he founded and directed the first edition of the Harvard Black Playwrights Festival.
Even as lead singer Tyler Joseph told the crowd he’d see them again the next time around, Twenty One Pilots’ set at TD Garden felt like the end of the band.
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