From undergraduate House renewal to ambitious plans for the new Allston campus, Harvard is in a period of profound architectural transition. Crimson Arts takes a look at the history of Harvard's built environment and the possibilities for its future growth.
Neither the stress of the Harvard world nor the turbulence of the world beyond leaks into this garden. Instead, it remains completely separate from the worlds that border it and serves as a refuge from both.
At his talk at the Harvard Art Museums last Tuesday evening, Barkley Hendricks, an American portraitist famous for his depiction of African Americans subjects in everyday life, presented a series of his paintings. “Give yourself a round of applause for coming out,” he said as he ascended the podium. “Enjoy and put your heads to work a little with some of the imagery that you’ll see.” As he presented a slideshow of his work, Hendricks maintained a light and friendly manner, telling stories, cracking jokes and introducing the audience to his subjects. Hendricks framed his presentation around the stories that defined his art.