Dante’s opus is receiving new attention in the form of a novel entitled The Dante Club, written by Matthew L. Pearl ’97.The novel, which takes place at the end of the 19th century, is not only about Dante but also about Harvard. The protagonists are Henry Wadsworth Longfellow, Oliver Wendell Holmes and James Russell Lowell. These men are also self-proclaimed members of the “Dante Club,” and are attempting to compile the first translation of Dante into English.
In the book, there are people both at Harvard and in Boston who wish to keep Dante from the public. Work on the translation comes to a halt when a series of murders resembling scenes from Dante’s Inferno takes place.
Pearl is also a teaching fellow for the core course on Dante, Literature and Arts A-26: “Dante’s Divine Comedy and its World.” Professor of Romance Languages and Literature Lino Pertile, who teaches the course, has placed Pearl’s new novel on the recommended reading list.
“I placed The Dante Club on my syllabus because, perhaps more than most critical works, it breathes new life into the Divine Comedy,” Pertile wrote in an e-mail. “[It] is a superb work of fiction that mixes history and fantasy in such a brilliant way as to make history more vivid than fiction.”
Though his first interests at Harvard were modernist writers such as James Joyce, T.S. Eliot and Ezra Pound, Pearl says he soon realized that these authors were Dante enthusiasts. Pearl himself encountered Dante through three sequential graduate seminars given by Pertile, each of which treated a different section of the Divine Comedy.
“I took the Inferno seminar, and fell in love, to the extent that I rearranged my schedule so I could take the other two,” Pearl says. “By the end I decided that this is what I want to do for my thesis.”
Because he had focused mainly on American and English writing as an undergraduate Literature concentrator, Pearl studied the intersection between Dante and American literature, upon the suggestion of Pertile.
Pearl’s Hoopes prize-winning thesis, “The Dante Club: A Re-assessment of the Emergence of Dante in Nineteenth Century America,” examines the first American scholars of Dante’s writing and how Dante was reintroduced to a general readership.
Pearl attended Yale Law School and there he began expanding his idea for a novel—and writing.
“I missed having an outlet of literary discussion,” he says. “I think that’s what drove me, if not deliberately, to play around with writing.”
Pearl laughs off any awe at his ability to undertake such a labor-intensive project in the face of the rigors of law school.
“I could only have done it during law school or some other structured environment because only writing is so much pressure,” he says. “I feel like I didn’t have that pressure, so it was easy for me to decide to play around with this idea.”
Pearl took such a relaxed approach to writing that he didn’t tell anyone about it, he says, although that he spent most of his spare time crafting his novel.
Yale inadvertently provided the final nudge that set Pearl on his literary path. Pearl and several other students participated in a reading group dubbed “Literature and the Law,” which focused on a different subject each semester. These ranged from Kafka’s The Trial, to Joyce’s Ulysses, to Melville.
Pearl led the group in “Dante and the Concept of Justice,” and it was his re-exploration of Dante that he says re-ignited his interest, and motivated Pearl to write snatches of scenes, which he calls “experiments.”