Side Parts in Nosferatu: A Symphony of Horror
Side parts are an integral part of “Nosferatu.” And no, I’m not talking about side characters; for those who are hoping for an analysis of the iconic Guido Herzfeld’s portrayal of the Transylvanian innkeeper, or a detailed breakdown of Extra 47’s shocked look in the background of Scene 28, this is not the article for you.
By side part, I refer to the iconic hairstyles in the film that simultaneously defy all sense of historical logic and firmly anchor “Nosferatu” as a product of the early 1920s.
“Nosferatu: A Symphony of Horror” is a German Expressionist film set in the fictional German town of Wisborg in 1838. Vampire Count Orlok preys on Ellen Hutter, the wife of an innocent estate agent. Orlok brings the plague to Wisborg due to the rats lurking in his coffin, causing the deaths of many innocents in the town. It is only through Ellen’s sacrifice that Orlok is vanquished.
A Messy Masterpiece: Why ‘Bridgerton’ Works
Dearest Gentle Reader,
“Bridgerton.” The name of this ever-popular series instantly calls to mind elegant mansions festooned with white roses and lilies, where lights twinkle above a maelstrom of swirling dancers. Ariana Grande-infused instrumentals permeate the evening air, replacing Haydn and Mozart with “thank u, next.” Pairing fiery declarations of love and sensuous romance with whimsical wainscoting and snarky Julie Andrews voice-overs, “Bridgerton” has garnered massive attention. Its first season placed fourth on the most popular Netflix TV shows of all time. Seasons two and three are 10th and sixth, respectively.
What is driving the incredible success behind this TV series with over 2.2 billion viewing minutes? These are not normal numbers for a period drama. Although the show’s raunchy scenes are certainly rewatchable, this sort of content is not limited to “Bridgerton.” What is unique to the show, however, is its costume design.